Recently published is The Development of Large Rock Sound Systems, Chris Hewittâs homage to the development of amplified sound systems spearheaded by Charlie Watkins whose company, WEM (Watkins Electric Music) was synonymous with the supply of PA systems to a raft of artists and festivals through the 1960s and 70s. You need to have a basic understanding of the principals behind amplified sound systems to get a grasp on this book because it not only traces the history of sound systems but the individual components that made up those systems. It can get quite technically overwhelming but it is strangely compelling, not least because its author is a hugely enthusiastic authority, but is also a world renowned collector of vintage PA equipment. So much so that Chris has supplied his equipment for films including the recreation of the Live Aid stage for Bohemian Rhapsody and scenes in Elton Johnâs biopic Rocketman and more recently a recreation of David Bowieâs infamous July 1973 concert at Hammersmith Odeon for the soon to be released Sex Pistols film by Danny Boyle. (Iâll leave you to work out the connection.) Watkins began the design and manufacture of amplifiers, mixing desks and speakers in the early 1960s when pop music was on an upward trajectory and venues were becoming ever bigger which in turn demanded better equipment. It was also surprising to learn how late in the day stage monitors became the norm. Watkins, however, made a critical business error at the very outset â he thought that supplying the artists with his equipment for free â emblazoned with the recognisable red WEM logo – would encourage retail sales to would-be musicians. It is hardly surprising then that many acts took advantage of that offer â and not least Pink Floyd, but it ultimately became his downfall as other companies began making their own mark, including Marshall, Allen & Heath and Martin to name a few which ultimately spelt WEMs demise. Unsurprisingly, WEM also spearheaded the supply of PA systems to the burgeoning festival scene and supplied systems to the early NJF at Sunbury, Windsor and Plumpton; all the Hyde Park free festivals; Isle of Wight and Bath. For anyone interested in that scene alone this book is a must with plenty of rare photos â some of which that defy todayâs health and safety regulations!
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Last night, David Gilmour made his scheduled guest appearance at Richard Thompson’s 70th birthday concert, held at London’s Royal Albert Hall. Held in front of a sell-out audience, in thrall to the variety of musicians who joined together in wishing Richard a great day, the show was a 34-song mix of Richard’s material, Fairport Convention songs, and the odd cover version (more often than not, originally performed by the guest themselves in earlier days). David’s segment came at the end of the second half, and saw him perform a superb Dimming Of The Day, followed by Fat Old Sun (see below). The encore which followed – Meet On The Ledge, a Fairport song – included what appeared to be all the guests, including David. A memorable night was had by all! Here’s a taste of last night:
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My favorite photos from 2023, part 1
2023 has been a special year for all of us. The continuing war in Ukraine and the atrocities in Gaza plus the clear signs of the climate crisis overshadows much of what happened during the year. But in spite of … Continue reading →
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Beneath the Surface with Bella Delle
Welcome back friends! Today we are joined by the young and talented Bella Delle as she shares more about her journey as an artist and the music she’s creating. So let’s get to it! How would you describe the music you are currently creating? Pop. Soul. Versatile. I am still exploring all music genres and …
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