Us and Them: The Authorised Story of Hipgnosis (https://www.amazon.co.uk/exec/obidos/ASIN/178870567X/braindamage-21) takes a close look at arguably the principal music industry designers, Hipgnosis. From the late ’60s, Hipgnosis created some of the most iconic and ubiquitous album artwork of all time. Their original lifespan coincided with the golden age of the 12-inch LP, beginning just as the Beatles’ Sgt Pepper made the record sleeve the ultimate blank canvas and ending just as new technology looked set to usurp vinyl. Having originally been approached to design an album cover for their friends Pink Floyd, students Aubrey ‘Po’ Powell and Storm Thorgerson would go on to define the visual identity of rock and roll for the next fifteen years, swiftly gaining international prominence for their famed The Dark Side of the Moon artwork. This paved the way for other major musicians to set foot in the surreal photo-design world of Storm and Po, resulting in seminal Hipgnosis creations for the likes of Led Zeppelin, Paul McCartney, Genesis, Black Sabbath, ELO and Yes. In this authorised account, with access to previously unpublished material and exclusive contributions from David Gilmour, Jimmy Page, Peter Gabriel, Roger Waters, Robert Plant and extensive insights from Aubrey Powell, alongside past interviews and conversations with Storm, Blake goes behind the scenes of the Hipgnosis partnership to reveal the pioneering ambition and grand vision that led to their success, as well as the clashing egos and artistic differences that undermined it. The Hipgnosis story also offers hitherto-untold insight into some of music’s most legendary bands, as viewed through the prism of the people who shaped their imagery and cultural legacy. Blake, who is best known in the Floyd community for his excellent book, Pigs Might Fly: The Inside Story Of Pink Floyd (known as Comfortably Numb in the US) which originally came out in 2007, and subsequently updated, has achieved something quite special with this book. Anyone with trepidation over the “authorised” element of the title need not worry. The book pulls no punches with regard to laying out mistakes made, the difficult relationship between Storm and Po, the heavy drug ingestion at times, the sense of self-importance and ego which affected things, arguments between Hipgnosis and various bands, musicians and management, and the regret over certain decisions and attitudes.
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Nick Mason interviewed about Pink Floyd, Abbey Road, and his Saucerful Of Secrets
Hopefully many of you have now received your copies of the truly excellent Nick Mason’s Saucerful Of Secrets Live At The Roundhouse – out today – and we’d love to know what you think of it! Do please get in touch to let us know your thoughts… As is normal for this sort of release, there’s been plenty of interviews (indeed, we’ve included some here on the site already) but today there’s been one with a bit of a difference. Nick has spoken to the team at the legendary Abbey Road Studios whilst he was there during the mixing of the album. Sitting in the reconfigured Studio Three, Nick talks about the studios, Pink Floyd, and the Saucerful Of Secrets project:
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Pink Floyd music in neuroscience study on how the brain works
Just published is a research article, on the use of Pink Floyd’s music to analyse the brain (https://journals.plos.org/plosbiology/article?id=10.1371/journal.pbio.3002176). As a result of the analysis, AI was able to reconstruct part of Another Brick In The Wall, Part 1, from brain waves alone. Whilst in itself, you might wonder what the point of that is. There is a hope that eventually, technology will exist that can use AI to determine what someone who is non-verbal is wanting to say. This would have huge implications for assisting such people, which is why the breakthrough is seen as so significant. The audio that was created is very muddy sounding and hard to make out, but there are clear parts that (knowing the song) you can recognise such as the “All in all…” lyrics. Whilst there has already been work on translating brain activity into words, the ability for AI to recognise musical elements could result in much more accurate “translation” within brainâcomputer interface (BCI) applications, conveying emotion behind words and phrases – key to proper comprehension of people’s thoughts and feelings. The analysis used 29 volunteers, who each had epilepsy and during a procedure (iEEG) had 2668 electrodes put onto the brain’s surface. Some 347 of these were on the part of the brain used for music processing. The team behind the work were Pink Floyd fans, so used their music for the research. A huge amount of detail on the work can be found here (https://doi.org/10.1371/journal.pbio.3002176) for those interested in much more detail.
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