However good an album is, one tends to expect a healthy showing in the charts around the time of release, and then, a gradual drop (or in some cases, a sudden plummet!) down the charts and often out, not to bother the chart again. There are, of course, exceptions to this rule… Pink Floyd’s 1973 opus, The Dark Side Of The Moon, is well known for many reasons, not least for the amount of time it has spent on the album charts in regions around the world. This week though, it has proved itself still capable of springing a surprise! In the Official UK Charts, and specifically in the Rock and Metal Album Chart (https://www.officialcharts.com/charts/rock-and-metal-albums-chart/), it has returned to the top spot! More than that, it has been joined by four other Floyd releases in the top spots. Here’s where the five Pink Floyd albums can be found in this week’s Top 30 chart: #1 – The Dark Side Of The Moon#5 – Wish You Were Here#17 – Delicate Sound Of Thunder#23 – The Wall#26 – Animals Quite an impressive showing, especially as four of the five albums in the Top 30 are from the 1970s! We suspect that the success of the Delicate Sound Of Thunder reissue has resulted in fans seeking out older, studio albums to fill essential gaps in their record collections.
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Special Japanese-only Pink Floyd Hakone/Atom Heart Mother release
Just announced as a special edition, being sold only in Japan (presumably due to licensing/release agreement), is a very interesting package celebrating the 50th anniversary of Pink Floyd’s pair of concerts at Fuji-Hakone-Izu National Park, Hakone, Japan – the band’s first in that country. The background to the release is this: an original 16mm film of Atom Heart Mother from the 1971 Hakone Aphrodite shows was recently discovered. A long time was spent digitizing, restoring and remastering, and to mark the 50th anniversary of the ’71 Hakone Aphrodite event, a special edition (a two disc set of a CD and Blu-ray) of Atom Heart Mother will be released on August 4, 2021 in Japan. The Blu-ray disc contains the restored footage of Atom Heart Mother, showing the band on stage performing the song, and travelling around Japan, together with some additional bonus footage of Pink Floyd’s crew, setting up the show, dealing with issues, etc., which hasn’t been seen before. The pack comes with a 60-page photo book with never-seen-before photos, a reproduction programme, flyer, poster and ticket reprint which all looks great! More details can be found at PinkFloyd.jp (https://www.pinkfloyd.jp/), although if you can’t read Japanese you’ll need to use Google Translate or similar. Orders can now be placed through various links found at sonymusicjapan.lnk.to/PF_gjb (https://sonymusicjapan.lnk.to/PF_gjb) including Amazon Japan, HMV, Sony Music Store, and others. We suspect that most, if not all, of these retailers will happily ship the item worldwide, although in certain countries customs duties or import taxes will be levied, so please be aware of this and check before ordering. If you want to see a quick comparison of a short part of the footage, comparing the newly restored film with what many of us will have been familiar with for many years, here’s something that Sony Music Japan have put together:
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Roger Waters adds three shows to 2022 Drill tour
In more tour news this morning, Roger Waters has expanded his 2022 This Is Not A Drill tour (https://www.brain-damage.co.uk/2020-tour-zone/index.php) by adding three dates to the schedule in new locations, albeit two of the venues are ones he performed in for his 2017 Us And Them tour, so will be familiar to him and his band. The other venue is currently under construction, s The tour was originally due to take place in 2020, until the pandemic put a stop to those plans. The show is a new production and is going to be an “in the round” performance, with the staging in the middle of the venue, and the audience sat on all sides of the stage. It is going to be fascinating to see how Roger approaches this format, and how the show will be staged, as there is no traditional front, back or sides of the stage/performance area normally. As it stands, the tour is only taking place in the US, Canada, and Mexico. Whilst there are an awful lot of fans worldwide who are hoping that Roger adds their location to what could well be his final tour, at this stage there is no hint that this will happen. We will keep you posted in case that situation changes. Tickets for the three new shows go on sale next Friday, March 25th, at 10am local time, although check the direct links below as some of them have presale information too: August 10th – Nationwide Arena, Columbus, OH, USA (https://www.brain-damage.co.uk/2022-tour-zone/august-10th-nationwide-arena-columbus-oh-usa.html) – TICKETS (https://www.ticketmaster.com/roger-waters-this-is-not-a-columbus-ohio-08-10-2022/event/05005C51CEB32B33)
October 3rd – Gila River Arena, Phoenix, AZ, USA (https://www.brain-damage.co.uk/2022-tour-zone/october-3rd-gila-river-arena-phoenix-az-usa.html) – TICKETS (https://www.axs.com/events/427254/roger-waters-tickets)
October 6th – Moody Center, Austin, TX, USA (https://www.brain-damage.co.uk/2022-tour-zone/october-6th-moody-center-austin-tx-usa.html) – TICKETS (https://moodycenteratx.com/event/roger-waters/) Should any further dates be added, we will of course let you know.
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Roger Waters Us + Them concert film reviewed
Floydian Slip (https://www.floydianslip.com/news/2019/09/review-roger-waters-us-them/), three weeks ahead of its release last night in cinemas across the world. Further screenings are to come over the next few days – details of when and where at RogerWatersUsAndThem.com (http://www.rogerwatersusandthem.com). A piece of key advice for you, if you are going to see it in a cinema this week: don’t leave during the titles – there’s an absorbing, additional documentary looking at the show, and the rehearsals of the music, which follows on. Anyway, with thanks to Floydian Slip, here’s Ed’s report… The intersection of beautifully crafted sound and footage combined with director Sean Evans‘ ability to turn an action-packed, live performance into an atmospheric, ethereal experience raises the bar for concert video. Recorded during a series of June 2018, Amsterdam performances, Roger Waters: Us + Them is so exquisitely constructed it emancipates the film from traditional and repetitive templates employed in comparable efforts: the music takes center stage as the expression of ideas Waters and the audience wish to converse about unfold in an exchange between the twain: it takes a talent of Evans’ caliber to capture that. This film documents that dynamic with great cinematic power. Within the film’s first couple of minutes, the crisp and brutally visceral sound of clapping thunder blends seamlessly into the sound of artillery, garnishing footage of a child sitting on a shore (part of the storylines that run on the background screens during the live performance). This brief introduction segues into the visual of Roger Waters taking the stage. In that brief convergence of audiovisual elements Evans manages to bewitch the audience, realigning their senses for an unusually gripping concert documentary. The audience plays a central role in this film. It is never veiled in a sea of black. Instead, its interaction with the artist is central to the story and its voice is accentuated by the colors that flood the arena as this emotive call and response transpires.
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