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Pink Floyd Hakone/Atom Heart Mother special edition release announced

Just announced is the worldwide release – housed in a 7″ gatefold sleeve – of a special edition of Atom Heart Mother, originally sold only in Japan in August 2021. This is a very interesting package celebrating the 50th anniversary of Pink Floyd’s pair of concerts at Fuji-Hakone-Izu National Park, Hakone, Japan – the band’s first in that country. This special edition will be available from December 8th, 2023. The background to the release is this: an original 16mm film of Atom Heart Mother from the 1971 Hakone Aphrodite shows was recently discovered in a fan’s garage. A long time was spent digitizing, restoring and remastering, and to mark the 50th anniversary of the ’71 Hakone Aphrodite event, a special edition (a two disc set of a CD and Blu-ray) of the Atom Heart Mother album was released in Japan. Now, finally, this enhanced video will be released outside of Japan. The Blu-ray disc contains the restored footage of Atom Heart Mother, showing the band on stage performing the song, and travelling around Japan, together with some additional bonus footage of Pink Floyd’s crew, setting up the show, dealing with issues, etc., which hasn’t been seen before. The pack comes with a 60-page photo book with never-seen-before photos, a reproduction programme, venue map flyer, Osaka show poster and Hakone Aphrodite ticket reprint which all looks great! ORDERING INFO:A very nicely put together package – and orders are now possible through a number of retailers. Ordering any item after entering Amazon through our links helps with BD’s ongoing running costs as we participate in their affiliate programme, at no extra cost to yourselves, and we really appreciate it: Amazon UK (https://www.amazon.co.uk/exec/obidos/ASIN/B0CLPKK7CL/braindamage-21), Amazon.com (http://www.amazon.com/exec/obidos/ASIN/B0CLFSNB5M/braindamage-20), Amazon Canada (http://www.amazon.ca/exec/obidos/ASIN/B0CLFSNB5M/braindamageon-20), Amazon France (https://www.amazon.fr/exec/obidos/ASIN/B0CLPKK7CL/braindamageon-21), Amazon Germany (https://www.amazon.de/exec/obidos/ASIN/B0CLPKK7CL/braindamage0f-21), Amazon Spain (http://www.amazon.es/gp/product/B0CLPKK7CL/braidama01-21) and Amazon Italy (http://www.amazon.it/gp/product/B0CLPKK7CL/bradamonl-21). You can also order through HMV.com (https://hmv.com/store/music/cd/atom-heart-mother-hakone-aphrodite-japan-1971-spec). If you want to see a quick comparison of a short part of the footage, comparing the newly restored film with what many of us will have been familiar with for many years, here’s something that Sony Music Japan put together in 2021:

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Metallic Spheres In Colour – The Orb and David Gilmour: EartH, London

To coincide with the release of Metallic Spheres in Colour by The Orb and David Gilmour (full details and ordering info here (https://www.brain-damage.co.uk/latest/metallic-spheres-in-colour-the-orb-and-david-gilmour-cd-lp-di.html)) on September 29th, a special event was held at EartH (Evolutionary Arts Hackney) in London to launch and perform the album. The reimagining of the original album has garnered much acclaim and brought the work to a new audience, as well as those who were already familiar with the 2010 version. This launch event was a celebration of the work undertaken. Of this new reimagining, producer Youth said that “the idea for Metallic Spheres In Colour, was that Alex Paterson (founder of The Orb) could have done more on the first version, and he didn’t really have the opportunity because we had a philosophy of making the music like the Blade Runner soundtrack meets Wish You Were Here. So, I asked him why don’t we remix it and make it like an Orb classic? And in doing that, it’s almost like a completely different album.” There were lukewarm and highly unrealistic rumours that David Gilmour would appear to recreate his guitar work, and as expected, he didn’t. A good friend of BD, Marcelo Paulo de Souza, was at the event, and sent over the following notes on the event, along with the great pictures below! Last Friday, I attended the album release party in London for Metallic Spheres in Colour by The Orb and David Gilmour. To celebrate the launch of the Metallic Spheres in Colour album, The Orb were due to perform the entire album live, alongside some classics and modern pieces. Additionally, Youth, the producer of Pink Floyd’s seminal album, The Endless River, played a DJ set that included a pleasantly strange rendition of the song Time. David Gilmour did not perform at this show. Despite the advert for the event, they didn’t perform the entire album, but just a segment. As promised, here are a few photos from the Album Release Party for Metallic Spheres in Colour last Friday:

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Football fans put on Pink Floyd tribute display

Yesterday’s Serie A football game between Salernitana and Inter saw an incredible display by the Salernitana fans: Our thanks to Stefano Tarquini for letting us know about this, and about the Tuttosport website (https://www.tuttosport.com/foto/calcio/serie-a/salernitana/2023/09/30-114133459/salernitana-inter_la_coreografia_dellarechi_pazzesca_tributo_ai_pink_floyd) which has a range of photos of the display.

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Nick Mason made honorary citizen of Pompei!

In a special ceremony held at the Commune di Pompei – the city hall – Nick Mason was this afternoon made an honorary citizen of the city! Heres’s his acceptance video, and a selection of photos from the event, which was held prior to this evening’s Saucerful Of Secrets concert at the Teatro Grande (Grand Theatre) in the ruins of Pompeii. Many congratulations on the award, Nick!

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Battersea Power Station Revisited

Our thanks to BD regular Ian McKenzie who shares his recollections of Battersea Power Station in London, from 1977, when Animals was released, in 1981, en route to seeing Pink Floyd at Earls Court for The Wall, and then – bringing the story up to date – a very recent visit as part of his birthday celebrations! Ian talks about the refurbished building, including the lift which takes you to the top of one of the rebuilt chimneys, giving you an Algie-eye’s view of the surroundings. Needless to say, some of his images and descriptions might be considered spoilers if you are considering a visit – or indeed, if you’ve been a bit unsure, he might have convinced you it is worth a visit. For more information on visiting the site, and what’s there, check out BatterseaPowerStation.co.uk (https://batterseapowerstation.co.uk). Now, over to Ian: Having discovered Pink Floyd in 1976, I can remember the release of the Animals album in early 1977. However, as I was in my early teens and surviving on pocket money, I was unable to afford to buy the album until I was on holiday in July of the same year. Even though I was unable to play the album until I returned home from the holiday, I was completely intrigued by the building on the album cover. I was convinced that this building didn’t actually exist and that the cover was just an elaborate illustration. However, the black and white photos inside the album sleeve certainly looked real enough and at some point over the coming weeks I learned that the building in question was Battersea Power Station in London. Regardless of Animals being one of my favourite Pink Floyd albums, I have also found the building itself to be particularly fascinating. Fast forward to 1981 and I was in London to see one of the Pink Floyd The Wall shows at Earls Court. I’d also been lucky enough to have seen this show at the same venue the year before, and I decided on my return to try to get a glimpse of Battersea Power Station before heading to the concert in my Pink Floyd tee-shirt and velvet jacket (the height of fashion in 1981, honest). I’d worked out from a map that probably the easiest means of seeing the power station would be from Chelsea Bridge, so I headed south from Sloane Square tube station along Chelsea Bridge Road. I managed to spot the power station before reaching the bridge and I was very impressed to see it in all its glory from the bridge itself. It was a lovely sunny day with a fairly clear blue sky, so I managed to capture a photo or two with my recently acquired Rollei 35mm compact camera [see picture below]. This was the same camera that I used later that evening to capture some photos of the concert itself. These pics can be seen elsewhere on the Brain Damage website – follow this link to see them (https://www.brain-damage.co.uk/the-wall/the-wall-live-1981-earls-court-pictures.html).