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Mark Fisher rock concert staging exhibition in Berlin

Just opened (on September 11th) at the Museum for Architectural Drawing, Berlin, Germany, is a new exhibition – Mark Fisher: Drawing Entertainment – which runs until January 16th 2022. If the name isn’t familiar, his work certainly will be. Fisher (1947–2013) was the greatest entertainment architect of rock sets and spectaculars. He created dazzling and innovative shows for the tours of the most famous singers and groups of our time including Elton John, The Rolling Stones, Madonna, Pink Floyd, Lady Gaga, Janet Jackson and Jean-Michel Jarre, as well as creating outdoor extravaganzas for Walt Disney World and Cirque du Soleil. Before Fisher, audiences watched bands play on a bare stage with a few flashing lights and perhaps a bit of film flickering behind them. After Fisher, audiences participated in wild electronic sensory theatrical experiences. In Germany, and for the world, Mark Fisher is celebrated as the designer of that great historical moment watched live by nearly half a million people, and millions more on global television, where nine months after the fall of the Berlin Wall in 1989, amidst the ruins of the former no-man’s land between Potsdamer Platz and Pariser Platz, he constructed the legendary The Wall – Live in Berlin concert for Roger Waters and guest artists. Mark Fisher’s drawings rock. He was an exquisite and beautiful draughtsman. Trained at the Architectural Association school of architecture in London in the 1960s, Fisher was taught by members of the famously influential Archigram Group who revolutionised futuristic design through their drawings of a high-tech world. Fisher started to explore the new pop architecture, and especially lightweight pneumatic structures which legendarily he put into practice with the giant articulated inflatable characters in his Pink Floyd and The Wall shows. As a stage designer, his drawings could be technical as well as dazzling: swirling rich pastels of radiant psychedelic light effects streaking across the night sky of velvet black paper. He was also of the generation who transitioned to computer-aided design (CAD) while never leaving behind his sense of drawing brilliance. The exhibition on Mark Fisher will explore his career as an entertainment architect through nearly one hundred of his drawings, as well as sketchbooks, photographs and videos of his live concerts. Since the exhibition takes place in Berlin, one of the focal points that they highlight is the Roger Waters ‘Live In Berlin 1990’ show staging. A catalogue accompanies the exhibition, which can be bought online, and ships worldwide (https://tchoban-foundation-shop.de/en/p/mark-fisher-drawing-entertainment). More information about the exhibition and venue can be found at tchoban-foundation.de (http://www.tchoban-foundation.de/10-1-Exhibitions.html) and www.museumsportal-berlin.de (https://www.museumsportal-berlin.de/en/exhibitions/mark-fisher-gezeichnete-show/). It is open Monday – Friday each week, between 2pm – 7pm, with Saturday – Sunday hours being 1pm – 5pm. Admission is an extremely reasonable €5 (or €3 for concessions). Our thanks to good friend Martin Geyer for the information and picture of this exhibition.

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Latest issue of Italian/English Floyd fanzine Heyou now available

Just published is the latest issue (number 36 – cover date June 2021) of the Pink Floyd fanzine Heyou run by our friends over at the Italian website of the same name. The 52-page dual language magazine (in Italian and English), which is published every six months or so, catches up with things in the Floyd world. Unlike other recent issues of Heyou, the latest edition selects just two subjects as its major focuses, not least as 2020 ended up being a year where despite the planned tours from Nick Mason’s Saucerful Of Secrets and Roger Waters, very little happened due to the global pandemic. The first feature covers around two-thirds of the magazine, and is the second part of a detailed article looking at the run of Wall concerts in 1980/1981, focusing on exactly what happened during the shows. The article was put together in conjunction with Vernon Fitch, a name familiar to many of you as a Floyd fan with an encyclopaedic knowledge. The article is illustrated with some very interesting photographs of the concert, tickets, passes, and more. The coverage concludes with The Show Must Go On, suggesting that the next issue will include the final, third part of the analysis. Turning the clock back further, the magazine then focuses on the 1969 film, More, which the Floyd provided soundtrack music for. Their coverage includes contemporary reviews of the film, and a reprint of an interview conducted with Barbet Schroeder at the time. A review from Flood Magazine of the Pink Floyd Live At Knebworth 1990 release precedes the normal wrap up of the recent news that concludes every issue – not a huge amount this time, of course, due to the current situation. More details of the Heyou fanzine can be found at www.heyou.it/fsubscrbd.html (http://www.heyou.it/fsubscrbd.html), where you can get individual copies, and subscription enquiries (four issues costing 35 euros within Europe, and 45 euros outside Europe) should go to durgaheyou@libero.it (mailto:durgaheyou@libero.it?subject=Heyou%20enquiry%20from%20BD%20visitor) – make sure you mention Brain Damage when you write!

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Special Japanese-only Pink Floyd Hakone/Atom Heart Mother release

Just announced as a special edition, being sold only in Japan (presumably due to licensing/release agreement), is a very interesting package celebrating the 50th anniversary of Pink Floyd’s pair of concerts at Fuji-Hakone-Izu National Park, Hakone, Japan – the band’s first in that country. The background to the release is this: an original 16mm film of Atom Heart Mother from the 1971 Hakone Aphrodite shows was recently discovered. A long time was spent digitizing, restoring and remastering, and to mark the 50th anniversary of the ’71 Hakone Aphrodite event, a special edition (a two disc set of a CD and Blu-ray) of Atom Heart Mother will be released on August 4, 2021 in Japan. The Blu-ray disc contains the restored footage of Atom Heart Mother, showing the band on stage performing the song, and travelling around Japan, together with some additional bonus footage of Pink Floyd’s crew, setting up the show, dealing with issues, etc., which hasn’t been seen before. The pack comes with a 60-page photo book with never-seen-before photos, a reproduction programme, flyer, poster and ticket reprint which all looks great! More details can be found at PinkFloyd.jp (https://www.pinkfloyd.jp/), although if you can’t read Japanese you’ll need to use Google Translate or similar. Orders can now be placed through various links found at sonymusicjapan.lnk.to/PF_gjb (https://sonymusicjapan.lnk.to/PF_gjb) including Amazon Japan, HMV, Sony Music Store, and others. We suspect that most, if not all, of these retailers will happily ship the item worldwide, although in certain countries customs duties or import taxes will be levied, so please be aware of this and check before ordering. If you want to see a quick comparison of a short part of the footage, comparing the newly restored film with what many of us will have been familiar with for many years, here’s something that Sony Music Japan have put together:

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Lost Souls: A Fictional Journey Through 50 Years of Pink Floyd

As we suspect many of you are fully aware, over the years there’s been more than a healthy number of books about Pink Floyd, covering the music, the personalities, the live experiences, and more. For a new book to stand out, it has to offer something a little different from the majority already on the shelves. The newly published ‘Lost Souls: A Fictional Journey Through 50 Years of Pink Floyd’ by Dutch music journalist and author Edwin Ammerlaan seemed to be written with exactly that in mind. The book centres on a teenager called Matt Hallander who in 1967 accidentally bumps into Roger Waters and Syd Barrett on a ferry from Ibiza to Formentera, forming a fascination for the Floyd which expanded into friendship with the members of the band. Managing to get a job with a music publication, the protagonist builds trust with the band and is chosen to write a book about them. This necessitates spending time with them, interviewing them, and finding out how they all work and live collectively. Ammerlaan was keen to find a new angle on the band when he was approached by a Dutch publisher to write about them. In his words “I’ve been a freelance music journalist since 1987 and have written many features about Pink Floyd in that time. I rejected it because I felt that most things about Pink Floyd had already been thoroughly documented. To add a new perspective to the Floyd history would be virtually impossible.” He turned away from the suggested Dutch language book, repeating all the normal stories, to write in a more personal, subjective way for an international audience. It weaves together actual events, and interviews he, and others, conducted with the band members, into an absorbing fictional narrative following his main character’s “coming of age” story conflating his development with the band’s. Some of the interviews have been changed to sound more conversational, and there’s a healthy dose of fictitious invention thrown in to move the story along. It’s a curious concept but seems to work very well. The easy, conversational style of writing keeps the interest going, not least to see where the story goes. Having experienced some of the concerts Ammerlaan describes in the book, he captures things that I noticed and felt at times, and with his use of Matt as his main character’s name, on a personal level this felt a little odd at first but I got used to it! From the reaction of others in the Floyd community who have also got the book, the attention to detail and atmosphere seems to have captured the imagination, and there’s some very positive word of mouth for this book. It won’t be for everyone (and don’t expect a thorough biography of the band – that can be found elsewhere in numerous places) but for something quite different it could be just what some people are after. If you want to check out the book, it is available as an eBook on Kindle, or as a paperback, now. Ordering through our links also helps with BD’s ongoing running costs, and we really appreciate it: Amazon UK (https://www.amazon.co.uk/exec/obidos/ASIN/9090340955/braindamage-21), Amazon.com (https://www.amazon.com/exec/obidos/ASIN/B08V21MDYK/braindamage-20), Amazon Canada (https://www.amazon.ca/exec/obidos/ASIN/9090340955/braindamageon-20),
Amazon France (https://www.amazon.fr/exec/obidos/ASIN/9090340955/braindamageon-21), Amazon Germany (https://www.amazon.de/exec/obidos/ASIN/9090340955/braindamage0f-21), Amazon Spain (https://www.amazon.es/gp/product/9090340955/ref=as_li_ss_tl?ie=UTF8 tag=braidama01-21 linkCode=as2 camp=3626 creative=24822 creativeASIN=9090340955) and Amazon Italy (https://www.amazon.it/gp/product/9090340955/ref=as_li_ss_tl?ie=UTF8 camp=3370 creative=24114 creativeASIN=9090340955 1 linkCode=as2 tag=bradamonl-21).

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New book: Pink Floyd in De Kuip ’88

Pink Floyd in De Kuip ’88 (https://www.floydstuff.com/product/4143915/pink-floyd-pink-floyd-in-de-kuip-88-holland-book), all aspects of the preparations – which took almost a year – are covered, with a lot of previously unpublished archive and photo material. It gives a fascinating look behind the scenes of the realization of the concerts in Stadion Feijenoord, as De Kuip is officially called. Spitfires that fly past and only take off in Rotterdam, props that fly over, fireworks and a breathtaking audiovisual spectacle. But above all a story of ‘deeds not words’ and for the almost 100,000 people present – and many outside the stadium – two evenings to remember. The book – which is being published on June 11th, 2021 – will be a luxury bound hardcover edition, with 112 pages on heavyweight paper. It’s a limited and numbered edition of 500, which we understand is already half-way to be completely sold, so if you are interested, don’t delay! You can place your order at Floydstuff.com (https://www.floydstuff.com/product/4143915/pink-floyd-pink-floyd-in-de-kuip-88-holland-book) now.

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New Pink Floyd print series launches

One of the ever present areas of interest for Pink Floyd collectors are posters. Whilst originals are the most desired, and highly sought after, reproductions and newly created works marking past concerts often prove a more affordable way for fans to brighten dull walls. To tap into this desire, a recently opened gallery, Echo (https://www.EchoPrintGallery.com), are now offering a range of officially licensed, limited edition posters representing different artists, including Pink Floyd. They have just launched the first of their Floyd posters, a print by artist WolfSkullJack commemorating Pink Floyd’s performance from October 13, 1973 in Vienna, Austria which is now available to buy in three variants. The artist said: “My father introduced me to Pink Floyd when I was but a wee pup and Dark Side of the Moon was a regular on the record player. I am eternally thankful to have inherited his excellent music taste! When working for musicians I love to put on their music as I sketch and ink in an attempt to capture the bands essence and I think that shines through here. “The art is heavily influenced by Time and Breathe, two of my favourites, with reference to the lyrics, ‘Run, rabbit run’ in Breathe. Wolves in my work are often ethereal/celestial creatures who represent time and space. The wolf is representative as part of the natural life cycle of the rabbit in an all natural way rather than something sinister.” Should you be interested in these prints, or subsequent ones they offer (including a 2021 Subscription scheme) visit EchoPrintGallery.com (https://www.EchoPrintGallery.com) for more information.