As the Saucerful of Secrets approach the end of their North American tour, the band plays a more relaxed yet tighter sounding set… and host a special guest. Saucerful of Secrets has finally arrived in New York City and, as guitarist Lee Harris reminds us, it has been 13 years since Nicholas Berkeley Mason has pounded the skins in Gotham. As far as when he played here with Pink Floyd the first time, even Harris and Mason debate this on stage. All that matters to the crowd though, is that an actual member of Pink Floyd is here to play classic Pink Floyd, digging deep into the Syd Barrett era, and with a cast of musicians supporting Mason that even a former member of Pink Floyd swears sounds better than the original – but more on that later. As Mason says: this is not a tribute band but the real thing: Nick Mason’s Saucerful of Secrets. Although the set list for the Saucerful of Secrets shows hasn’t really changed much since the first handful of pub shows in London last May, each venue and each audience impart a unique vibe. The band feeds off of that. This evening, the set kicks off as usual: with Interstellar Overdrive and Astronomy Domine. The two songs drench the audience in a sonic atmosphere The Beacon Theatre has served well over many years. The audience responds in kind: clapping, singing, and swaying to every note blissfully. But by the time the band starts playing Lucifer Sam, something takes over (considering the title, that might spook you out… but it’s a totally benign possession): they sound simultaneously relaxed and tight, their performance flowing through an undercurrent of muscle memory and collegial comfort while the smallest ad libs and accents on specific parts of the song begin to shape the performance into its uniqueness. Venues serve as different vessels for sound in such diverse ways too… during Lucifer Sam it’s hard to ignore Dom Beken’s keyboards: they really fill this theatre and weave the rest of the show together in a magical way that only the Beacon can afford to.
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December 2020 issue of Italian/English Floyd fanzine Heyou now available
Just published is the latest issue (number 35 – cover date December 2020) of the Pink Floyd fanzine Heyou run by our friends over at the Italian website of the same name. The 52-page dual language magazine (in Italian and English), which is published every six months or so, catches up with things in the Floyd world. The magazine has a range of subjects as its major focuses, despite 2020 being a year when plans have changed dramatically for many people – musicians in particular, with Roger and Nick both having planned to be touring with their respective bands. The first feature looks at the collaboration between Polly Samson and David Gilmour – in particular the audiobook of A Theatre For Dreamers and David’s single, Yes, I Have Ghosts. This is followed by a lengthy review by The Second Disc of Nick Mason’s Saucerful Of Secrets: Live At The Roundhouse, which is (quite rightly) very enthusiastic about the release. There’s a detailed and fascinating look at the making of The Later Years box set, via an article from somethingelsereviews.com, which includes interviews with Aubrey ‘Po’ Powell, Damon Iddins, and Andy Jackson. A review of the Roger Waters Us + Them precedes the first part of a detailed article looking at the initial run of Wall concerts in 1980, and what happened during the shows. Finally, there’s a look at two of the Floyd related Record Store Day 2020 releases – Roger’s 1990 Berlin gig on vinyl, and the Floyd’s 7″ single of Arnold Layne recorded at the Syd Barrett tribute concert at London’s Barbican in 2007. More details of the Heyou fanzine can be found at www.heyou.it/fsubscrbd.html (http://www.heyou.it/fsubscrbd.html), where you can get individual copies, and subscription enquiries (four issues costing 35 euros within Europe, and 45 euros outside Europe) should go to durgaheyou@libero.it (mailto:durgaheyou@libero.it?subject=Heyou%20enquiry%20from%20BD%20visitor) – make sure you mention Brain Damage when you write!
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NEW MUSIC: Sourface – Sweet Dreams Suburbia
After playing a spontaneous gig at a fake wedding in Derbyshire, four young university students grouped together to form the indie-rock band Sourface. Based in London, this Anglo-French foursome has a sound lying somewhere between The Beach Boys, The Doobie Brothers and The Steve Miller Band. Less than a year old, Sourface is already gaining …
The post NEW MUSIC: Sourface – Sweet Dreams Suburbia appeared first on Turtle Tempo.
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Rare Syd Barrett painting in upcoming Cambridge auction
An old friend of Brain Damage, Brian Wernham, has put a painting by Syd Barrett up for auction in a sale being held at Cheffins in Cambridge, on February 24th. Cheffins were the auction house which dealt with the sale of Barrett’s belongings following his death in 2006, on behalf of the Barrett family. The painting has been identified as a representation of the megaliths at West Kennet. Syd was very keen on megaliths, and his keen eye for colour is demonstrated in this very rare piece of late art. He burnt most of his final artwork, gaining satisfaction mainly from the process, and then unfortunately discarding most of the resulting art on his bonfire. The painting was professionally framed by Trumpington Galleries in Cambridge, with UV resistant glass to ensure the colours will remain rich. It is watercolour and gouache, mounted on blue sugar paper and measures 30cm x 42cm. It is accompanied by a certificate of authenticity signed by Rosemary Barrett (Syd’s sister). Brian told us: “It really is a beautiful piece and beautifully framed. I hope it goes to a good home.” The painting is lot 284 in the The Art Design Sale to be held on February 24th at Cheffins (https://www.cheffins.co.uk/fine-art/lot-view,-roger-syd-barrett-british-19462006_82404.htm). The estimate is a (surprisingly low) £3,000 – £5,000. A previous work by Syd valued in that range sold last May for £28,270, so we suspect a similar figure for this one; his paintings rarely become available and surely over time opportunities will become fewer.
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