RollingStone.com (https://www.rollingstone.com/music/music-features/the-wall-artist-gerald-scarfe-pink-floyd-archive-905710/) that the downsizing of his home was behind the decision. I’d like it to go to a good home, [and] if possible, to be kept together. It could probably get cut up and divided, but my ideal would be to sell it to one collector who keeps it, because it’s got every concept of The Wall from when I first met Roger [Waters]. Small notes, sketches and so forth, which I then developed into bigger sketches. I’ve got tapes; I found whole cans of film the other day, rust-covered cans of 35mm film in my attic, just bits of film that go back to Wish You Were Here. Back in 2017, Gerald sold off a few Wall-era items; ‘The Scream’, the focal piece of artwork for the movie, sold for $1.85million, one of the most expensive non-instrument items in rock history, as RS point out. I didn’t want to let ‘The Scream’ go, but when I saw the price… noted Gerald. The upcoming sale, via the San Francisco Art Exchange, will consist of an incredible 3,000-plus items of sketches, paintings, storyboards, memorabilia, animation cels, stage props, and more. RS notes that Scarfe’s archive collects everything from the five-year stretch that bridges Waters’ doorstep arrival with the demo tapes to the aftermath of The Wall’s Alan Parker-directed 1982 film adaptation: The early hand-drawn sketches, the paintings that feature inside The Wall‘s vinyl gatefold, storyboards, film scripts complete with Scarfe’s illustrations, props from both the extravagant Wall tour and the film. Scarfe’s collection also boasts ‘five years of ephemera’ that ranges from Scarfe’s framed The Wall gold records, figurines, backstage passes, a custom-made Wall tour jacket and some obscure items from the film shoot. Quite a collection, which is sure to have a lot of Floyd fans salivating! It would be great if it could be kept together, and form a new exhibition to complement Their Mortal Remains. We suspect the cost of purchasing the entire thing would be somewhat prohibitive though…one can dream though. Let us know what you’d want to buy from the sale, money no object!
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Beneath The Surface: Ella Rose Oliveras
Hello, hi and WELCOME to yet another instalment of me asking a poor unsuspecting artist a whole heap of questions, so that all you nosey Normans (soz Norman) reading can get to know all the juicy details from some of your fave music makers. This time round I was joined by the simply lovely Ella …
The post Beneath The Surface: Ella Rose Oliveras appeared first on Turtle Tempo.
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The Dark Side Of The Moon 50th Anniversary – exclusive Japanese SACD & loads of extras
As you all know, the 50th Anniversary of Pink Floyd’s The Dark Side Of The Moon is next month, with a deluxe box set, the Live At Wembley 1974 LP and CD sets, and the official book (which we’ve seen and is very nice) that’s included in the box set, and available separately too, all being released on March 24th. Full details of all these, here (https://www.brain-damage.co.uk/latest/pink-floyds-the-dark-side-of-the-moon-50th-anniversary-box-set-anno.html). Exclusively, though, for the Japanese market (but thanks to HMV.co.jp (https://www.hmv.co.jp/en/artist_Pink-Floyd_000000000004473/item_The-Dark-Side-Of-The-Moon-Hybrid-Multi-Ch-Edition_13590862) and CDJapan (https://www.cdjapan.co.jp/product/SICP-10143), available worldwide online) is a hybrid SACD (Super Audio CD) version of the album, bundled with loads of reproduction memorabilia – as seen to the right! For those unfamiliar with hybrid SACDs, they hold higher resolution audio, often with surround sound versions as well as standard stereo, and the stereo version is playable on all normal CD/DVD/Blu-ray players. To play the multi-channel audio, you need a compatible player, but as the format was devised by Sony and Philips, there are plenty of those around still. The surround and stereo versions of TDSOTM on this SACD is as released in 2021 on the SACD from Analogue Productions SACD. The album is packaged in typical Japanese style – a 7″ version of the original album cover, along with the stickers and posters you would hope to be included in this reproduction. However, they are also including a wide array of reproduction Japanese memorabilia: 1972 Pink Floyd In Japan Photo Book (48 pages, Airport, Live, and Japan stay in 1972)
1972 Pink Floyd In Japan Tour Pamphlet (16 pages)
1972 tour in Japan ticket (Tokyo Metropolitan Gymnasium, March 6, 1972)
1972 tour in Japan ticket (Tokyo Metropolitan Gymnasium, March 7, 1972)
1972 tour in Japan Tour Poster (Tokyo Metropolitan Gymnasium)
Lyric leaflet “The Other Side Of The Moon â works for all kinds of madmen” distributed at the venues on the 1972 tour in Japan
Flyer announcing the 1972 tour in Japan (Osaka: Festival Hall)
Promotional leaflet (handwritten by record company to promote “The Other Side Of The Moon”)
Commemorative sticker (round sticker for the campaign to promote the band’s visit to Japan)
Commemorative single jacket (“Pink Floyd/Big 4”)
Commemorative single jacket (“Point Me At The Sky”)
Reproduction OBI strip for the Quad 4-channel release (this edition ISN’T in Quad/just 4-channel!) Quite a collection of items! This special Japanese SACD edition is being released on April 19th, 2023, and can be ordered, worldwide, through these links at HMV.co.jp (https://www.hmv.co.jp/en/artist_Pink-Floyd_000000000004473/item_The-Dark-Side-Of-The-Moon-Hybrid-Multi-Ch-Edition_13590862) and CDJapan (https://www.cdjapan.co.jp/product/SICP-10143). Amazon Japan (https://www.amazon.co.jp/-/en/ãã³ã¯ã»ããã¤ã/dp/B0BQMDYBPC) has their own variant of this exclusive release (with a “Megajacket”) but at time of writing, they aren’t shipping this item outside of their country.
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Brainstorms: A Great Gig in the Sky featuring the music of Pink Floyd
Just announced: June 7th sees the launch of Brainstorms: A Great Gig in the Sky, presented by the UKâs largest immersive art experience Frameless. A complete takeover of the iconic, 30,000 square-feet venue in the heart of Marble Arch, London, this new show blends music and art with the latest neuroscience and technology, in an exploration of how our minds respond to music. The fascinating sounding immersive experience, running on Friday and Saturday evenings in June 2024 for over 18s only, comes from Brainstorms, a joint venture between San Francisco-based creative studio Pollen Music Group and Richard Wright Music Limited. It brings to life the results of the Brainstorms research project that took place last autumn. Driven by a mutual admiration for the beautiful and haunting simplicity of Pink Floyd keyboardist Richard Wrightâs songwriting, the Brainstorms team has themed the experience around the concept behind the iconic Pink Floyd track The Great Gig in the Sky. Visitors will travel through the four main Frameless galleries which each feature stunning sky-themed creative visualisations of the human brain’s response to music, from mesmerising cloud formations and mystical auroras to starling murmurations and an eclipse. The whole experience has been designed to communicate how people respond to music, while enhancing the listening experience by enveloping individuals inside the songs like never before. Gala Wright, curator and Artistic director at Brainstorms and daughter of Pink Floyd keyboardist Richard Wright, says, “The visual representation of brain data provides an accessible and intuitive way to see how a piece of music can be a deeply personal yet also powerfully shared experience. Questioning how this is true for my father’s compositions is a key motivation for me bringing this concept to life with Pollen. The added benefit of bringing awareness to his musicality through the Brainstorms project serves to augment his legacy.” To create the visuals for the centrepiece experience, 125 individuals had their brain activity recorded while listening in unparalleled clarity and depth through immersive sound Dolby Atmos to 1973 Pink Floyd classic, âThe Great Gig in the Skyâ from the highly celebrated album âThe Dark Side of the Moonâ. The instrumental track, which was the creation of Richard Wright, features Clare Torryâs voice as an instrument in place of lyrics so was deemed a perfect piece for the largest data collection of its kind. The EEG readings of brain activity, which will be showcased within the experience, were captured at Dolby by the neuroscience experts within the Pollen Music Group team and reflect the participantâs excitement, interest, relaxation and stress felt whilst listening to the track. A strictly limited number of VIP places will be available to book a unique 15-minute EEG brain capture experience, powered by technology provided by AMD and Emotiv, where they will feel more from the music than ever before as they go on an intense and emotional journey as they listen to five minutes of The Dark Side of the Moon in immersive sound Dolby Atmos via headphones. Participants will then be able to see their brain activity visualised into stunning large-scale cloud formations, projected into Frameless’ re-imagined ‘Cloud’ Gallery. Each participant will also receive a personalised memento based on their individual brain’s reaction to the piece. Tickets to Brainstorms: A Great Gig in the Sky are priced from £30 and have gone on sale this morning. To buy tickets or to find out more visit frameless.com/brainstorms (https://frameless.com/brainstorms/).
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