Biopsy O Boutique have recently released their dark and mysterious new single ‘Nettle Kiss’, the title track from the bands new album. Displaying a soundscape of grunge and dark rock comparable to Nine Inch Nails among others, the track highlights the bands creativity and ability to craft unsettling yet subtly catchy and distinctive soundscapes. We […]
Tag: title track
Australian Now Brighton-Based Quartet The Wattles Share Title Track From Radiant New EP ‘Fooled’
Australian, now Brighton-based indie rockers The Wattles share the elegant new single ‘Fooled’, the title track from their new 4 track EP. Capturing an essence of Beth Orton with an added indie rock flare comparable to Elbow and The National, the band capture an expressive, emotive and exhilarating gradual build on ‘Fooled’ that showcases a […]
Five For Friday – 28th June 2024
Redtones – ‘Whole Lotta Nothin’ Redtones from Michigan are back with their latest single, ‘Whole Lotta Nothin”, which forms part of their upcoming album ‘The Calm Before the Storm’. Building on the momentum from their recent hits like ‘Maybe He Was Right’ and ‘American Dream’, this track showcases powerful vocals and dynamic instrumentation led by […]
David Gilmour: Luck and Strange – new album announced!
This afternoon, the months of speculation and rumour come to a close, with the announcement of David Gilmour’s new album, Luck and Strange. It is his first new album in nine years, and those who have been on social media over the last couple of days will have seen movement on his official channels, changing the profile pictures and headers to subtle, rather mysterious images of a figure with their arms out, and rushing water. His official website, too, had undergone a similar change with the same imagery and a sign-up button. The album will be released on September 6th, on Sony Music, on LP, CD, Blu-ray and digital. Deluxe LP and CD boxsets will be announced in the coming weeks. The first track from the album – The Piper’s Call – will be released tomorrow (Thursday, April 25th), following a world exclusive first play on the BBC Radio 2 Breakfast Show. A video for the song will be available to watch from Friday. Full track listings are shown below. Luck and Strange was recorded over five months in Brighton and London and is Gilmour’s first album of new material in nine years. The record was produced by David and Charlie Andrew, best known for his work with ALT-J and Marika Hackman. Of this new working relationship, David says, “We invited Charlie to the house, so he came and listened to some demos, and said things like, “Well, why does there have to be a guitar solo there?” and “Do they all fade out? Can’t some of them just end?”. He has a wonderful lack of knowledge or respect for this past of mine. He’s very direct and not in any way overawed, and I love that. That is just so good for me because the last thing you want is people just deferring to you.” The majority of the album’s lyrics have been composed by Polly Samson, Gilmour’s co-writer and collaborator for the past thirty years. Samson says of the lyrical themes covered on Luck and Strange, “It’s written from the point of view of being older; mortality is the constant.” Gilmour elaborates, “We spent a load of time during and after lockdown talking about and thinking about those kind of things.” Polly has also found the experience of working with Charlie Andrew liberating. “He wants to know what the songs are about, he wants everyone who’s playing on them to have the ideas that are in the lyric informing their playing. I have particularly loved it for that reason.” The album features eight new tracks along with a reworking of The Montgolfier Brothers’ Between Two Points and has artwork and photography by the renowned artist Anton Corbijn. Musicians contributing to the record include Guy Pratt and Tom Herbert on bass, Adam Betts, Steve Gadd and Steve DiStanislao on drums, Rob Gentry and Roger Eno on keyboards with string and choral arrangements by Will Gardner. The title track also features the late Pink Floyd keyboard player Richard Wright, recorded in 2007 at a jam in a barn at David’s house.
Hugo Brijs Returns With ‘Creeper’
Hugo Brijs, known for his immersive compositions in television and film, shares the electrifying new single ‘Creeper’. Amidst his role crafting melodies for renowned platforms like BBC, Channel 4, Netflix, and the BFI, Brijs has carved a niche for himself as a versatile composer with a keen ear for storytelling through music, most recently gaining […]
Profound & playful: it’s Litvar’s second album, Eloquently Aimless
Litvar’s Eloquently Aimless is a remarkable effort through the heartland of indie rock, emanating an authentic and relatable essence.
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Dragonfruit Shine On Vibrant New Single ‘Honeymoon Phase’
Dutch electronic, nu-soul loving, pop inclined quartet Dragonfruit share the brilliant new single ‘Honeymoon Phase’, the title track from their upcoming EP due April 17th. Built around a rich, pulsing electronic soundscape of crunching, swinging beats, swelling analogue synths and warming vinyl crackle, ‘Honeymoon Phase’ captures an fluorescent vibrancy and a intoxicating depth to it’s …
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New edition of Ron Geesin’s The Flaming Cow: The Making of Pink Floyd’s Atom Heart Mother book
On November 19th, 2021, a new, paperback edition of the book we called “a fantastic read . . . witty and incredibly detailed” is published. Ron Geesin’s ‘The Flaming Cow: The Making of Pink Floyd’s Atom Heart Mother’ is an in-depth look at the creation of the title track of the album, reviewed here when published in 2013 as a hardback (https://www.brain-damage.co.uk/books/the-flaming-cow-the-making-of-pink-floyds-atom-heart-mother-ron-g.html), that offers a rare insight into the brilliant but often fraught collaboration between Pink Floyd and composer Geesin, the resultof which became known as Atom Heart Mother – the Floyd’s first UK number one album. From the time drummer Nick Mason visited Geesin’s damp basement flat in Notting Hill, to the most recent performances of the piece in France, this book is an unflinching account about how one of Pink Floyd’s most celebrated compositions came to life. Alongside unpublished photographs from the Abbey Road recording sessions (the only ones taken) and the subsequent performances in London and Paris, Geesin goes on to describe how the title was chosen, why he was not credited on the record, how he left Hyde Park in tears, and why the group did not much like the work. The Flaming Cow also explores its recent performances, and its new-found cult status that has led to it being studied for the French Baccalaureat. The book – with a foreword by Nick Mason – really is a fantastic read, coupled with the wonderful, evocative black and white shots of the band, and hired players and choir, in the midst of work at Abbey Road. Most of these have not been seen before, and these along could be argued as worth the price of admission. Setting the tone perfectly is the foreword by Nick Mason. Typically self-effacing, it acknowledges the book for what it is: “a fascinating in-depth study of one particular work”, an epic piece which Nick states “we remain fond of, proud of, and in my case slightly bemused by”. It also has one of the funniest excuses I’ve ever heard a member of the Floyd use! You can place your order for the new paperback edition – complete with an updated cover image – right now through these direct links: Amazon UK (http://www.amazon.co.uk/exec/obidos/ASIN/0750995742/braindamage-21), Amazon France (http://www.amazon.fr/exec/obidos/ASIN/0750995742/braindamageon-21), Amazon Germany (http://www.amazon.de/exec/obidos/ASIN/0750995742/braindamage0f-21), Amazon Espana (https://www.amazon.es/Flaming-Cow-Making-Floyds-Mother/dp/0750995742/) and Amazon Italy (http://www.amazon.it/exec/obidos/ASIN/0750995742/). Using our links helps support the costs of running this website, won’t cost you a penny/cent more, and we really appreciate it. At present it isn’t being listed on Amazon.com or Amazon.ca but they DO list the previous, hardback edition.
Turtle Tempo Weekly Roundup: Punk Angel, Orchards, JK The Sage And More
Here’s a selection of some of the best tracks that we’ve discovered this week: Punk Angel – Karma Starting this weeks roundup off with an etherial beauty, Punk Angel’s new single ‘Karma’ is an excellent example of psychedelic Dream-Pop. Opening with echoy layers of vocal harmonies, Punk Angel instantly sets a moody atmospheric tone before …
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Interview: The Summer After Discusses Upcoming ‘Absent Minded’ EP, Touring, and More
Concert Crap: Who is The Summer After and who is Jake Seidl? The Summer After is a solo music project [read more]
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