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Beneath the Surface: Margarita Shamrakov

Welcome back to another Beneath the Surface session, this time we are joined by Margarita Shamrakov. She has recently released the heart wrenching new single ‘Love Always Wins’ featuring the vocals of Theo. We discuss all things surrounding her music and writing process, so lets get to it below! What would you say first sparked …

The post Beneath the Surface: Margarita Shamrakov appeared first on Turtle Tempo.

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Rock Concerts

Roger Waters: The Dark Side Of The Moon Redux – London Palladium shows

Last night saw the second of two nights of the London live premiere of Roger Waters’ The Dark Side Of The Moon Redux. We purposefully didn’t reveal much about the first night, when we reported on it yesterday, focusing on things that would be of benefit to those attending (and indeed had praise from a few people for the information and tips given). This was so we didn’t spoil any surprises or set any expectations. The restrictions imposed on cameras, phones and other tech, secured in pouches that could only be opened by staff at the exit of the venue, made for a nicer experience as an audience member, without phones/iPads or cameras constantly in the eye line. Various parts of the media have given these two shows fairly hefty coverage, and certainly the first half of the show, and the heavy overrunning to the scheduled end time, resulted in quite a bit of criticism, which Roger acknowledged last night to make adjustments to proceedings. The show started with Roger reading from a sheaf of notes, covering various topics including freedom of speech and Julian Assange, but noted that he’d promised not to be too political. Instead, he said he’d read from his forthcoming book, “I’ll See You On The Dark Side Of The Moon: Memoirs Of A Lanky Prick”. The first night had Roger relate – sat at a table, reading from a laptop – three excerpts: one with heavy detail on Cambridge street names and directions, another talking about his time with Syd, who was coming up with songs, and finally one referencing the pictures of Roger with a duck on his social media, with a lengthy piece about his time with Donald, a bird brought in by one of his cats. These took up some time, and certain members of the audience got very restless and heckled – much to Roger’s annoyance. The second night saw Roger cut the first two, but despite opening by saying he wasn’t going to read any at all, still proceeded with the story of the duck called Donald. Once done, he welcomed the musicians – 14 strong – to the stage to perform an excellent, extended version of The Bar, followed by a rendition of Mother. The first night then had an intermission, before a 20 minute film (you can see this in full below) appeared on the gauze screens which unspooled from the top of the stage. It shows Roger running through each track on the album, talking about the songs origins and also why he has revisited the album, some 50 years on. It was an interesting look at his motives for the Redux version, and set the scene perfectly for the band to come on as bird song filled the auditorium, to start the live performance of the album in full. For some reason though, last night the film was shown BEFORE the intermission, which did seem to lose the atmosphere and build up the film afforded. The performance of The Dark Side Of The Moon Redux on both nights was extremely effective, with the album working very well live. Roger had put together a great band, many of which had appeared on the album itself. There was a six piece string section headed by Gabe Noel, a few members of Roger’s current “Drill” touring band (Jon Carin, Jonathan Wilson, Gus Seyffert, Robert Walter and Joey Waronker), along with Johnny Shepherd (organ, piano, and vocals), Via Mardot on the theremin, and Azniv Korkejian on vocals. It was Johnny and Azniv’s vocals on The Bar which really elevated that song in the first half. Visually, there was a large triangular lighting rig which hung forward, with the top looming over the front of the audience. At various points the gauze screens were down, with back projection of the new lyrics artistically beamed onto them. Roger stood in front of the screens, with the band behind, resplendent in his pink suit jacket (over a black t-shirt and black jeans). For those who’ve asked, he didn’t play any instruments during the show. There was no encore, just a curtain call which was met by a standing ovation both nights. The audience seemed a lot more amenable on the second night, without the hefty heckling heard on the first night. This seemed to lift Roger’s mood too. Two unique (we presume) nights, and whilst advertising them in a different way (making it clear that some of the evening would include the readings) might have managed expectations and helped calm some of the more vocal and angry members of the audience, the music performed ensured most went away very happy to have attended the shows! It is unlikely that the show will appear elsewhere but if that happens, we’ll let you know…

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Rock Concerts

Battersea Power Station: Have You Got It Yet? The Story Of Syd Barrett & Pink Floyd …

CLICK HERE for remaining tickets (https://www.thecinemainthepowerstation.com/ticketing/14058/q&a) or call 020-3330-7120. If you haven’t yet seen Have You Got It Yet? The Story Of Syd Barrett And Pink Floyd, it is worth making the journey to the Nine Elms part of London tonight to catch it! As yet, we have no news about a home release of this film, but rest assured, as soon as we do, we’ll let you know.

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Rock Concerts

Happy 80th birthday, Roger Waters!

The combined wishes of all of us on the Brain Damage team, along no doubt with many of you reading this, go to Roger Waters, who celebrates the very special occasion of his 80th birthday today! Roger was born in Great Bookham, Surrey, in 1943, moving to Cambridge when he was two years old. It was there that he met, and became childhood friends with, a number of key people in the story of Pink Floyd. Of course, Roger has been extremely busy over recent years, having successfully taken Dark Side Of The Moon on tour in 2006, through to 2008. On completing that, he immediately started work on a new version of The Wall – which finally opened in September 2010. That tour was spectacularly successful, wrapping up in Paris for show number 217 in September 2013. Recordings of that tour turned into the film, shown in cinemas and released on DVD/Blu-ray and as part of a mammoth Super Deluxe Edition. More recently, he performed his highly acclaimed Us + Them world tour, which was filmed and was shown in cinemas worldwide, with the home release of it on Blu-ray, 2CD, 3LP vinyl and DVD that followed. He also released his latest full solo album, Is This The Life We Really Want? as well as overseeing the release of the late Nick Sedgwick’s book about the band, and in particular, the 1974 tour of The Dark Side of the Moon. 2022 finally saw him back on tour for This Is Not A Drill, originally due to start in 2020 but delayed due to Covid-19, with the stage presentation being “in the round”. The powerful presentations, with the unique staging which sees Roger wandering around, addressing attendees on all sides of the arenas, have already thrilled audiences in many countries with more shows to come in South America. June also saw the release of the six-song album, The Lockdown Sessions, which gathered together new versions of Mother, Two Suns In The Sunset, Vera, The Gunner’s Dream, The Bravery Of Being Out Of Range, and Comfortably Numb 2022. Finally, Roger’s Redux version of The Dark Side Of The Moon is released next month, and he presents this in a pair of shows at the legendary London Palladium. The official Pink Floyd social channels this morning also shared a birthday wish for Roger, with a message looking back in fondness to all the work they all did together: We hope you have a great day, Roger. Many happy returns!