Tag: release

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David Gilmour, Nick Mason’s Saucerful Of Secrets, Roger Waters in RSD 2025!

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To celebrate Record Store Day 2025 (Saturday, April 12th), there are three, very tempting, limited edition releases coming that will be of interest to Pink Floyd fans. Firstly, Nick Mason’s Saucerful of Secrets share an incredible live version of their interpretation of Echoes. Propelled by Nick Mason’s drumming, this recording captures the band with Gary Kemp, Guy Pratt, Dom Beken and Lee Harris at the peak of their powers. The performance was recorded on August 1st, 2024 at the Centennial Hall in Frankfurt, Germany by Steve Carr. Echoes Live was mixed by Steven Wilson with consultation and assistance from Dom Beken. This 12″ was half-speed mastered by Miles Showell at Abbey Road and uniquely plays from the inside-out for the ultimate sound quality. The B-side includes an exclusive etched design. Secondly, there’s a special clear vinyl 12″ of Between Two Points by David Gilmour with Romany Gilmour, from the album Luck and Strange. The four-track, vinyl-only release will feature an exclusive live version (coupled with Vita Brevis) from the Royal Albert Hall plus a new remix by Rob Gentry. Finally, in advance of his super deluxe box set, Roger Waters releases a special version of The Dark Side Of The Moon Redux Live. Pressed on limited-edition neon pink vinyl and recorded during two sold-out shows at the London Palladium in October 2023, this album captures the only live performance of Roger’s reimagined version of Pink Floyd’s seminal album. As with the other RSD 2025 releases, these are all limited editions: often the RSD releases are pressed up as just a few thousand or so worldwide, available to snap up on the day. And, as we’ve mentioned in previous years, these limited edition items are ONLY released via RSD participating stores, this year on 12th April 2025 – go to RecordStoreDay.com (https://www.recordstoreday.com/) or RecordStoreDay.co.uk (https://www.recordstoreday.co.uk) for more details of who those will be, and to get the full list of all releases in this event. A reminder that it will ONLY be these stores participating; the stores themselves can’t sell it online prior – the record will become available for customers coming through the door of the store from the morning of the 12th (and not before), in limited quantities – first come, first served, and only one copy per customer. After RSD, if copies remain, they may put them for sale online (and of course, there’ll also be copies on eBay inevitably…).

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Meet Your New Go-To Duo: The Blow In’s Drop EP ‘Meant To Be’

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Supercharged by Cian O’Leary’s vocals and rhythm guitar prowess, as well as Oisin O’Regan’s talents as a lead guitarist, ‘Meant To Be’ is more than a gorgeous patchwork of soul-stirring beats. It’s a spotlight, unveiling The Blow In’s refreshing ability to blend traditional Irish folk with modern genre-defying instrumentation. So, with that said, let’s take a deep dive into ‘Meant To Be’ and start brightening up the last few days of January! 

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David Gilmour – Irvine Meadows Amphitheatre, Irvine, CA, USA – June 24th 1984

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Our thanks to Theatrice Westbrook for very kindly sharing recollections of an evening in Irvine, California, in June 1984, when David Gilmour played at the Irvine Meadows Amphitheatre as part of his About Face tour that year: Chef André Wiederkehr, a friend of my co-worker and friend Karen, got tickets and they had a couple extra. They invited me and other coworker/friend Brian and gave us a ride. Pink Floyd wasn’t really Brian’s cup of tea. He was more New Wave, outrageous… he turned me on to John Waters and “Pink Flamingos”! But ironically after a group of us saw Berlin in concert in Hollywood earlier, he told me LA was too much, he couldn’t wait to get back behind that Orange Curtain (the more conservative Orange County, California)! Go figure. Brian had his leg in a cast, but refused a wheelchair and walked from the parking lot to our seat on crutches. (He took up the wheelchair offer after the concert.) We had great seats in the lower section, closest to the stage. David Gilmour’s first solo tour. Roger Waters had also begun his first solo tour during the middle of this tour (and more Floyd acrimony would lay ahead). Before the show, André and I went to the restroom; I came out first. Through the fence I saw a guy in jeans and a red Pendleton talking with crew or someone. He looked like a trucker. I looked at his face from profile, it was David Gilmour, 20-25 feet away, with very short hair. I about shit myself. André came out of the bathroom, talking. André was a super hardcore European Floyd fan from Austria. (Translation: Hardcore fan.) When I pointed out David Gilmour, he stopped in his tracks, staring, speechless. We both stared for a couple minutes before returning to our seats. No opening act. A beautiful Summer eve, a little warm. I had both solo albums and hoped he would play my favourite track “There’s No Way Out of Here” (he didn’t). But I was not disappointed. The new album, “About Face”, was more “radio friendly”, with more guest players (Jeff Porcaro was the drummer). The stage was much more scaled down than on Floyd tours. (Part of the show is visible in the US-only 1984 home video release “David Gilmour Live.”) The band played cuts from Gilmour’s two solo albums along with a couple of Floyd tracks. The stage darkened and a deep synth pulsated in syncopation with lighting on the lip of the stage and around the edge of the stage risers. This signalled the opening song “Until We Sleep”, the first of 5 new album cuts. The band was on it. Loud and clear. I thought I recognized the second guitarist who looked like Mick Ralphs, noted this imposing bald drummer, and a lady on percussion who looked like she was pregnant. The next song was the Pete Townshend/David Gilmour song “All Lovers Are Deranged”, which slammed in the same fashion as the first, and with an ending that presaged the intro/outro of Pink Floyd song “Sorrow” (from the 1987 album “A Momentary Lapse of Reason”), as it shook the whole amphitheater.

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The end of the year – Pink Floyd related activities wrap-up

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With the end of the year looming, it’s a good time to look back at what 2024 gave us. There’s been a lot of different releases that we’ve all experienced over the months, and it is interesting to look back at what there’s been in a busy year. In March there was the Mark Knopfler’s Guitar Heroes release of Going Home (Theme From Local Hero), which included David Gilmour amongst around 60 musicians. April saw the lovely looking crystal clear vinyl of The Dark Side Of The Moon, with UV artwork. Later that month, Roger Waters released a picture disc of his Redux version of TDSOTM as part of Record Store Day. May brought us the Animals 2018 Remix on Blu-ray and on digital platforms, bringing the 1977 album to life in multi channel gloriousness. This was presented with new artwork from the launch of the Animals 2018 remix, showing how Battersea Power Station is used these days for such promotions. June saw the start of the 35-date Set The Controls tour from Nick Mason’s Saucerful Of Secrets, thrilling audiences in the UK and Europe, and getting better and better as a band. Let’s hope that there’s more next year! The DVD, Blu-ray and digital release of Have You Got It Yet? The Story Of Syd Barrett and Pink Floyd was released in July, following the 2023 cinema screenings. Of course, in September, we saw the release of the hotly anticipated Luck And Strange from David Gilmour, which was accompanied from later that month with live shows in Brighton and London, England, Rome, Italy, Los Angeles and New York, USA. Dates in Rome were filmed with the aim to release at some point, and once we have details of that, we’ll let you know! David also contributed a guitar solo for Ice-T’s band Body Count on their cover version of Comfortably Numb (a very unexpected collaboration!). David’s team have also edited together footage from each city of the tour to construct a live version of The Piper’s Call, released as a pre-Christmas treat. Finally, to conclude the year, there’s been another release of a bunch of live Pink Floyd concerts to be found on platforms such as Spotify (https://open.spotify.com/artist/0k17h0D3J5VfsdmQ1iZtE9?si=jRkN8zT1TqWovrf0sObizw) for a limited period. There’s thirteen gigs in total, all from 1974, and definitely worth checking out…

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David Gilmour – The Piper’s Call Live Around The World song release

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Out as a special, pre-Christmas surprise today is David Gilmour’s The Piper’s Call Live Around The World, recorded at The Brighton Centre, Rome’s Circus Maximus, London’s Royal Albert Hall, LA’s Intuit Dome and NYC’s Madison Square Garden. So, elements taken from each city that was lucky enough to get dates on David’s 2024 tour. You can stream or download the song at the various normal places, such as Apple Music (https://music.apple.com/us/album/the-pipers-call-live-around-the-world-single/1783814850), Spotify (https://open.spotify.com/album/1lEQcDmsaSfq08mlkA6DbP?go=1), Amazon Music (https://music.amazon.co.uk/albums/B0DPR62F85), iTunes Store (https://music.apple.com/gb/album/the-pipers-call-live-around-the-world-single/1783814850), etc. The song was edited together by Charlie Andrew and Matt Glasbey to form one seamless track recorded throughout the Luck and Strange tour. The video below premieres today (Friday, 13th December) at 4pm GMT / 5pm CET / 11am ET / 8am PT:

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Celine Wanyi Marks a Bold Return with Emotionally Charged Single ‘shadow of you’

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Pop R&B singer-songwriter Celine Wanyi unveils her latest single, ‘shadow of you’. Known for her four-octave vocal range, sensual tone, and genre-defying sound, Celine delivers an introspective and sonically rich track that highlights her growth as a vocalist, songwriter, and producer. The release follows her rebrand from WANYI and signifies a fresh chapter, brimming with […]