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LAY / BYE Share Satirical New Single ‘Love Songs Are Boring <3’

Cambridge indie-rockers LAY / BYE share the satirical, infectious and vibrantly fun new single, ‘Love Songs Are Boring <3’. Produced by the talented Matt Turner and Grammy-nominated Robin Schmidt (Acclaimed for their work with the likes of The 1975, The Vaccines, and Nothing But Thieves), ‘Love Songs Are Boring <3’ is a departure from the […]

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Five For Friday – 6th January 2023

K.Noble – ‘Different Sh**’ With a flurry of impressive releases under his belt already, Chicago-based rapper K.Noble is looking to cement his legacy to date with the release of his groundbreaking debut album ‘Painkillers’, showcased by the new effort ‘Different Sh**’. Bringing back more of that rich and forward-thinking direction he is known for, this …

The post Five For Friday – 6th January 2023 appeared first on Turtle Tempo.

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New book reveals unseen early Pink Floyd photographs

Orders are now being taken (https://www.floydstuff.com/product/5834477/pink-floyd-the-nico-van-der-stam-archives-holland-book) for a book stuffed with incredible Pink Floyd pictures from 1967 onwards. Limited to just 1000 numbered copies (which are expected to sell quickly), Pink Floyd – The Nico van der Stam Archives, published on December 1st, 2021, is presented as a deluxe clothbound and hardback edition, with 112 heavyweight pages, and signed by the author. His images of Syd Barrett’s The Pink Floyd from 1967 are of an iconic beauty. However, few people in the Netherlands – and even less abroad – associate these photos with photographer Nico van der Stam (Rotterdam 1925 – Amsterdam 2000), who captured the band in Amsterdam in April 1967, and again two months later in London. Initially focused on documenting everyday city life and the flourishing local jazz scene, Van der Stam soon turned his lens on the emerging pop music, photographing such luminaries as Jimi Hendrix, David Bowie, The Mothers Of Invention, The Doors, Cream, Janis Joplin, The Kinks, The Supremes and The Pink Floyd. He was regularly found in studios where artists were recording for radio and television. “I went to the studios, took pictures of rehearsals and recordings and then sold them to the broadcasting companies.” The few pictures of Pink Floyd that are previously published – without exception in a characteristic square format and not normally seen in colour – are just an excerpt from Van der Stam’s immense catalogue which holds over a million negatives. For this new book, Floydstuff’s Charles Beterams has taken a deep dive into Van der Stam’s archive, exploring and unearthing the photographer’s breathtaking oeuvre. An unprecedented amount of newly discovered Pink Floyd transparencies and negatives – starting with those from the aforementioned 1967 sessions of the band in all its psychedelic glory – have been catalogued, scanned and retouched for the very first time. Nico van der Stam also took pictures of Pink Floyd during their 1969 and 1970 concerts at the Amsterdam Concertgebouw. By the time the band played the Rotterdam Ahoy’ in 1971, he was no longer doing concert photography himself, assigning requisite duties to his then assistant Govert de Roos, who went on to become a renowned photographer in his own right and kindly provides the foreword to this book. Most of the pictures from these three gigs are available to the public eye for the very first time. Pink Floyd – The Nico van der Stam Archives is not only a well-deserved tribute to a unique photo press agency but also an impressive and hitherto unseen insight into the legendary British band’s defining years. Sounds like another essential purchase to us! The text in the book is in English, and you can secure your copy now through Floydstuff.com (https://www.floydstuff.com/product/5834477/pink-floyd-the-nico-van-der-stam-archives-holland-book), who will ship the book worldwide. To coincide with the publishing of the book, Maria Austria Instituut – which preserves Nico’s archives – has made three of his most iconic images available as limited art prints – one of them by Pink Floyd. They can be ordered directly from the Maria Austria Instituut (https://www.maibeeldbank.nl/mai/over-mai).

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New book: “The Development of Large Rock Sound Systems” – Chris Hewitt

Recently published is The Development of Large Rock Sound Systems, Chris Hewitt’s homage to the development of amplified sound systems spearheaded by Charlie Watkins whose company, WEM (Watkins Electric Music) was synonymous with the supply of PA systems to a raft of artists and festivals through the 1960s and 70s. You need to have a basic understanding of the principals behind amplified sound systems to get a grasp on this book because it not only traces the history of sound systems but the individual components that made up those systems. It can get quite technically overwhelming but it is strangely compelling, not least because its author is a hugely enthusiastic authority, but is also a world renowned collector of vintage PA equipment. So much so that Chris has supplied his equipment for films including the recreation of the Live Aid stage for Bohemian Rhapsody and scenes in Elton John’s biopic Rocketman and more recently a recreation of David Bowie’s infamous July 1973 concert at Hammersmith Odeon for the soon to be released Sex Pistols film by Danny Boyle. (I’ll leave you to work out the connection.) Watkins began the design and manufacture of amplifiers, mixing desks and speakers in the early 1960s when pop music was on an upward trajectory and venues were becoming ever bigger which in turn demanded better equipment. It was also surprising to learn how late in the day stage monitors became the norm. Watkins, however, made a critical business error at the very outset – he thought that supplying the artists with his equipment for free – emblazoned with the recognisable red WEM logo – would encourage retail sales to would-be musicians. It is hardly surprising then that many acts took advantage of that offer – and not least Pink Floyd, but it ultimately became his downfall as other companies began making their own mark, including Marshall, Allen & Heath and Martin to name a few which ultimately spelt WEMs demise. Unsurprisingly, WEM also spearheaded the supply of PA systems to the burgeoning festival scene and supplied systems to the early NJF at Sunbury, Windsor and Plumpton; all the Hyde Park free festivals; Isle of Wight and Bath. For anyone interested in that scene alone this book is a must with plenty of rare photos – some of which that defy today’s health and safety regulations!