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Neska Rose Showcase Quirky Songwriting On New Three Track EP ‘H’

Dynamic eighteen-year-old twin sister duo Neska and Libi Rose, release the quirky and playful new EP, ‘H‘. Showcasing swaying rhythms and jazz influence to their indie-pop sound, the duo capture a vibrant accessibility so their alternative sound, jumping between alt-pop and sprawling moments of interesting musical choices and jumps between twinkling keys and fuzzy guitar […]

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Australian Now Brighton-Based Quartet The Wattles Share Title Track From Radiant New EP ‘Fooled’

Australian, now Brighton-based indie rockers The Wattles share the elegant new single ‘Fooled’, the title track from their new 4 track EP. Capturing an essence of Beth Orton with an added indie rock flare comparable to Elbow and The National, the band capture an expressive, emotive and exhilarating gradual build on ‘Fooled’ that showcases a […]

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Liverpool’s STR^NGE Releases Mesmerizing New Single ‘Timestuck’

Liverpool’s vibrant music scene has birthed yet another standout act, STR^NGE, who recently unveiled their latest single, ‘Timestuck,’ on June 20th. The track is a haunting exploration of existential angst, artfully blending 70s psychedelic influences with contemporary sounds to create a truly unique listening experience. The formation of STR^NGE is a story in itself, with […]

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London Indietronica Duo High Jump Release Anticipated Debut EP ‘001’

June 7th marks the highly awaited release of ‘001,’ the debut EP from London-based indietronica duo High Jump. Comprising Harry Martin and Rick Holland, High Jump has been making waves with their atmospheric and musically rich soundscapes, drawing attention from top-tier press outlets such as Earmilk, Atwood Magazine, Louder Than War, Notion, God Is In […]

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Brainstorms: A Great Gig in the Sky featuring the music of Pink Floyd

Just announced: June 7th sees the launch of Brainstorms: A Great Gig in the Sky, presented by the UK’s largest immersive art experience Frameless. A complete takeover of the iconic, 30,000 square-feet venue in the heart of Marble Arch, London, this new show blends music and art with the latest neuroscience and technology, in an exploration of how our minds respond to music. The fascinating sounding immersive experience, running on Friday and Saturday evenings in June 2024 for over 18s only, comes from Brainstorms, a joint venture between San Francisco-based creative studio Pollen Music Group and Richard Wright Music Limited. It brings to life the results of the Brainstorms research project that took place last autumn. Driven by a mutual admiration for the beautiful and haunting simplicity of Pink Floyd keyboardist Richard Wright’s songwriting, the Brainstorms team has themed the experience around the concept behind the iconic Pink Floyd track The Great Gig in the Sky. Visitors will travel through the four main Frameless galleries which each feature stunning sky-themed creative visualisations of the human brain’s response to music, from mesmerising cloud formations and mystical auroras to starling murmurations and an eclipse. The whole experience has been designed to communicate how people respond to music, while enhancing the listening experience by enveloping individuals inside the songs like never before. Gala Wright, curator and Artistic director at Brainstorms and daughter of Pink Floyd keyboardist Richard Wright, says, “The visual representation of brain data provides an accessible and intuitive way to see how a piece of music can be a deeply personal yet also powerfully shared experience. Questioning how this is true for my father’s compositions is a key motivation for me bringing this concept to life with Pollen. The added benefit of bringing awareness to his musicality through the Brainstorms project serves to augment his legacy.” To create the visuals for the centrepiece experience, 125 individuals had their brain activity recorded while listening in unparalleled clarity and depth through immersive sound Dolby Atmos to 1973 Pink Floyd classic, ‘The Great Gig in the Sky’ from the highly celebrated album ‘The Dark Side of the Moon’. The instrumental track, which was the creation of Richard Wright, features Clare Torry’s voice as an instrument in place of lyrics so was deemed a perfect piece for the largest data collection of its kind. The EEG readings of brain activity, which will be showcased within the experience, were captured at Dolby by the neuroscience experts within the Pollen Music Group team and reflect the participant’s excitement, interest, relaxation and stress felt whilst listening to the track. A strictly limited number of VIP places will be available to book a unique 15-minute EEG brain capture experience, powered by technology provided by AMD and Emotiv, where they will feel more from the music than ever before as they go on an intense and emotional journey as they listen to five minutes of The Dark Side of the Moon in immersive sound Dolby Atmos via headphones. Participants will then be able to see their brain activity visualised into stunning large-scale cloud formations, projected into Frameless’ re-imagined ‘Cloud’ Gallery. Each participant will also receive a personalised memento based on their individual brain’s reaction to the piece. Tickets to Brainstorms: A Great Gig in the Sky are priced from £30 and have gone on sale this morning. To buy tickets or to find out more visit frameless.com/brainstorms (https://frameless.com/brainstorms/).

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Nick Mason appears on new episode of motoring podcast

With Nick Mason’s Saucerful Of Secrets getting ready to entertain again in the UK and Europe this summer, starting on June 11th in Stoke, England, Nick has taken time out of early preparations to appear on the Fuelling Around podcast. The 45-minute episode of the automotive show where he talked about music, motors and his epic car collection, is typically entertaining. “I thought I’d retired about 20 years ago. I think my doctor said: ‘If you haven’t grown out of showing off by the time you’re 70, you’re probably incurable’. It’s really terrific when you do get a younger fanbase. Sometimes they bring their old granny along – the clatter of zimmer-frames in the mosh pit is something to
watch out for.” In the podcast, he noted that “we play Floyd songs because first of all it was a repertoire which I could just about remember, which helped. The other thing was that feeling that we wanted to capture the atmosphere of the early music. That meant it actually freed us up a bit because we didn’t have to play Comfortably Numb exactly as it was played on the record. We were playing the earlier songs where it was much more about the atmosphere that went with it rather than the accuracy. “It wasn’t me who formed the band. It was initially Lee’s suggestion and the rest of the band sort of formed itself around us. We certainly didn’t do anything as crude as hold any sort of tests or auditions. It was actually, in a way, exactly how bands always used to be put together, which was a few like-minded people getting together and saying ‘well let’s give it a go’. And that’s exactly what we did.” You can enjoy the entire episode here: