new issue of the UK’s Mojo Magazine (cover date February 2021, issue number 327) (https://www.greatmagazines.co.uk/mojo-327-february-2021) includes a major feature on Pink Floyd, within its pages which also include a major retrospective on John Lennon, marking 40 years since he was senselessly shot dead in New York. The Floyd feature – headlined Burning Bridges: Floyd Wars! and written by Pigs Might Fly author Mark Blake – is a detailed, eight-page look at the conflict between Roger Waters and David Gilmour, and looks at its origins. It is clear that from very early days, there were differences in the pair’s behaviours and ethos which even saw David walk out of one of the very first rehearsals he had with the others on joining Pink Floyd in January 1968. As one has come to expect from Blake, it’s an entertaining and detailed guide to the fraught working relationship of Roger and David, pre- and post- split. Elsewhere in the magazine, amongst a wide range of other things, and subject of the cover photo, there’s the piece on John Lennon which is an absorbing look at the impact and aftershock of the shooting, coupled with a range of artists, musicians and others talking about how Lennon changed their lives. Always a great read, the magazine has arrived in UK stores today (Tuesday, December 15th), and will be available in selected locations worldwide as an import, in due course. Alternatively, you can order (worldwide) online through the GreatMagazines website (https://www.greatmagazines.co.uk/mojo-327-february-2021) which is owned and run by the publishers of Mojo.
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The Lyrics Of Syd Barrett – book review
Published by Omnibus Books in February in Europe, and May in North America, is The Lyrics of Syd Barrett. Featuring 52 songs and a foreword by Pink Floyd’s first manager, Peter Jenner, and an introduction by Rob Chapman (author of Syd Barrett: A Very Irregular Head), this beautifully illustrated and official 96-page book compiles Syd’s extraordinary lyrics together for the very first time. David Gilmour has been a key person behind this book, working his way through Syd lyrics checking them for accuracy before the book went to the printers. A good friend of Brain Damage is Dr Kevin De Ornellas, a Lecturer in English Literature at Ulster University, and he has taken a detailed look at this new book… In an era of gargantuan coffee-table books, bloated CD and DVD box sets and cumbersome multi-disc vinyl re-releases, it is it refreshing to enjoy a relatively simple and affordable artefact: a small, easily handled book. This book, an apparently official provision of what is claimed to be Syd Barrett’s complete lyrics, is beautifully designed by Lora Findlay. It comes in a tactile, attractive cloth cover: on the front, a well-known Michael Ochs portrait of Syd Barrett is encased within an elaborate psychedelic border that is tasteful because it is all done with only two colours â white and a sort of mauve-lilac colour. The endpapers are particularly lovely â they feature repeated, wallpaper-like reproductions of Syd Barrett’s renowned Tortoise. Half of the tortoises have the head facing upwards â the other half are rotated 180 degrees. There are 168 tortoises in total. It is both a bit whacky and a bit poignant â and very much in the spirit of Barrettâs later music. A fuller, page-high reproduction of Barrettâs original, subtly-coloured 1963 Tortoise work is provided inside (page 18). The book is petite and thin but the high-quality cloth, the firm binding and the crisp texture of the pages makes the book feel sturdy: it is a keeper that will weather well. The lyrics are all laid out in a clear, readable font on either one or two self-contained pages and there are many splendid illustrations and photographs: if I counted correctly there are 18 monochrome images and 8 colour ones. Every one is reproduced perfectly: most feature posed or in-performance photographs of Syd Barrett with or without Pink Floyd; some reproduce Barrett’s art works. It might have been better to have more of Barrett’s art and less of Rick Wright’s cigarette and less of Roger Waters’ understated scowl. But the text of the book is what matters â here, there is much promise but the odd problem too.
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The Pink Floyd Exhibition: Their Mortal Remains coming to Montreal, Canada!
Announced this lunchtime: Canada has been confirmed as the sixth country to host The Pink Floyd Exhibition: Their Mortal Remains, the magnificent and critically acclaimed major retrospective of Pink Floyd, their music and the impact the band had on art and culture. Following its hugely successful debut at London’s Victoria and Albert Museum in 2017, which saw over 400,000 people attend, the exhibition has subsequently traveled to Italy, Germany, Spain and the United States attracting over 500,000 people and will now take residency in the cultural hub of Montreal. The Exhibition opens on November 4 at Arsenal Contemporary Art Montreal, which should be the perfect venue for the immersive experiential journey through Pink Floyd’s world. The band played in Montreal a number of times, including the concert which concluded the 1977 tour, and inspired The Wall. The exhibition is due to run for the rest of the year, with an anticipated closing date of December 31, 2022. Tickets for the exhibition have just gone on sale via PinkFloydExhibition.com (http://www.pinkfloydexhibition.com) and as before, advance booking is highly recommended as popular times and dates will no doubt sell quickly. Opening hours each week for the exhibition are as follows: Tuesdays, Wednesdays, Thursdays: 10:00am to 6:00pm (time of last entry)
Fridays, Saturdays: 10:00am to 7:00pm (time of last entry)
Sundays: 10:00am to 5:00pm (time of last entry)Â Ticket prices include the excellent audioguide which attendees to previous stagings of the exhibition will know is an extremely well designed facility which will really enhance your visit. For more information about the exhibition, either check out the various articles here on Brain Damage, or visit www.pinkfloydexhibition.com (http://www.pinkfloydexhibition.com).
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2019 Prog Magazine annual awards last night – Nick Mason & Tony Smith honoured
Prog Magazine (https://www.myfavouritemagazines.co.uk/Prog-Print-Back-Issues/), honour newcomers and established acts alike, along with other key individuals. There were two key, Floyd-related awards given out last night – the first of these was Industry VIP, that was presented to Tony Smith. With a roster of top acts (including Genesis, and the various individuals/offshoot projects) he has also been Nick Mason’s manager for some time, and Nick’s Saucerful Of Secrets are under his wing too. Talking of Nick, it was last night that he received his trophy as Prog God. This had been previously announced that he was due to be given the award at this year’s ceremony, so all due preparation had been made. At the time the news broke, almost a month ago, Nick said: I’m all in favour of recognition for drummers – particularly when it’s me – so I’m really delighted to be recognised as Prog God. It’s hard to believe that it was over 50 years ago that the music we know as prog rock was born, and it’s still being celebrated, played and developed in the 21st century. Long may it continue! As part of the Prog God announcement last night, a video was shown collecting highlights of his career to date, and included some of the recently shot live footage of the Saucers at London’s Roundhouse (which looked great!). Nick did joke about hoping that he’d be winning Best Newcomer as well as Lifetime Achievement on the same evening! The picture here is Nick during his acceptance speech, with comedian and host for the evening Al Murray (left) and Rory Bremner, which was posted on the Prog social media channels. The live stream they had running will hopefully be available to view on demand in due course; pictorial coverage and the full list of winners from the Progressive Music Awards 2019 will be printed in their special souvenir issue, which goes on sale from October 25 and will also be available to purchase, worldwide, online (https://www.myfavouritemagazines.co.uk/Prog-Print-Back-Issues/).
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