NEW MUSIC: Circumnavigate – Shy Love

The Pink Floyd Exhibition: Their Mortal Remains heads to Madrid, Spain!

StubHub (http://www.stubhub.es) and as before, advance booking is highly recommended as popular times and dates will no doubt sell quickly. Opening hours each week for the exhibition are Tuesday – Sunday, 11:00am – 10:00pm (last entry: 8:30pm), and admission costs are €9.90 EUR – €19.90 EUR (plus applicable fees), with the excellent audioguide included in the price. For more information about the exhibition, either check out the various articles here on Brain Damage, or visit www.pinkfloydexhibition.es (http://www.pinkfloydexhibition.es).

In Conversation with Jimmy Herrity

Singer-songwriter Jimmy Herrity emerged from the UK’s south coast – Brighton to be exact – gaining popularity with bands Submariner and Any Joy. Now, he has a solo project for a particular reason – the death of his brother.  Jimmy sits with us to chat about his new single ‘April Fools Day’, entering the music …

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New book: “The Development of Large Rock Sound Systems” – Chris Hewitt

Recently published is The Development of Large Rock Sound Systems, Chris Hewitt’s homage to the development of amplified sound systems spearheaded by Charlie Watkins whose company, WEM (Watkins Electric Music) was synonymous with the supply of PA systems to a raft of artists and festivals through the 1960s and 70s. You need to have a basic understanding of the principals behind amplified sound systems to get a grasp on this book because it not only traces the history of sound systems but the individual components that made up those systems. It can get quite technically overwhelming but it is strangely compelling, not least because its author is a hugely enthusiastic authority, but is also a world renowned collector of vintage PA equipment. So much so that Chris has supplied his equipment for films including the recreation of the Live Aid stage for Bohemian Rhapsody and scenes in Elton John’s biopic Rocketman and more recently a recreation of David Bowie’s infamous July 1973 concert at Hammersmith Odeon for the soon to be released Sex Pistols film by Danny Boyle. (I’ll leave you to work out the connection.) Watkins began the design and manufacture of amplifiers, mixing desks and speakers in the early 1960s when pop music was on an upward trajectory and venues were becoming ever bigger which in turn demanded better equipment. It was also surprising to learn how late in the day stage monitors became the norm. Watkins, however, made a critical business error at the very outset – he thought that supplying the artists with his equipment for free – emblazoned with the recognisable red WEM logo – would encourage retail sales to would-be musicians. It is hardly surprising then that many acts took advantage of that offer – and not least Pink Floyd, but it ultimately became his downfall as other companies began making their own mark, including Marshall, Allen & Heath and Martin to name a few which ultimately spelt WEMs demise. Unsurprisingly, WEM also spearheaded the supply of PA systems to the burgeoning festival scene and supplied systems to the early NJF at Sunbury, Windsor and Plumpton; all the Hyde Park free festivals; Isle of Wight and Bath. For anyone interested in that scene alone this book is a must with plenty of rare photos – some of which that defy today’s health and safety regulations!