February 2003, by the Easy Star All Stars (https://www.brain-damage.co.uk/albums/easy-star-all-stars-dub-side-of-the-moon.html). Using the pick of the reggae and soul community, who spent over three years on the work, Dub Side Of The Moon was one of the more outrageous attempts at reworking Floyd tunes that has come along over the years. And it works really well – so much so that Nick Mason has mentioned it on occasion as a version he enjoys, particularly over renditions by tribute bands and suchlike. The idea came about in 1999 when New York reggae label vice president Lem Oppenheimer convinced his colleagues that this was a viable concept to cover. He imagined it would “echo Dark Side’s album artwork – refracting Pink Floyd’s music vision through a prism of reggaes’s rich rhythmic and instrumental possibilities”. Gathering some of the best musicians of their genre, the producers approached the work seriously – so seriously in fact, that the (alleged) Wizard Of Oz synchronicity apparently works throughout! For those who missed out on it originally, or who fancy it on vinyl, Rough Trade (https://www.roughtrade.com/gb/easy-star-all-stars/dub-side-of-the-moon-a8b64474-be8b-435d-8336-ef0b3d906812) have announced an exclusive, coloured vinyl edition of just 300 copies available to order currently, ahead of the 5th August 2022 release date. As far as we are aware, it is the first time that this has been released on vinyl, previously being released on CD. Our thanks to Brendan Docherty for letting us know about this!
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Five For Friday – 16th February 2024
Gianni Bee – ‘Sunflower’ After a proficient run of delights over the last few years, fast-rising singer-songwriter Gianni Bee continues his vibrant ascent on the sweeping new single ‘Sunflower’. Bringing back more of that warm and illuminating acoustic-led aesthetic he has been building for himself, this new one will certainly look to pull on your […]
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Friday’s Finest – Featuring Hoofa, Among The Citizens, APRE & Ivory Wave
Friday’s Finest is a weekly collaborative post between us at Turtle Tempo, It’s All Indie, Indie Central Music & Nexus Music Blog. Every Friday we pick a track that we have been loving with the post going up on one our respected blogs. Dan from Turtle Tempo’s pick – Hoofa – Lve After taking a …
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Nick Mason talks about the Saucerful Of Secrets set list
Our friend José Abellán of the Spanish Animals Pink Floyd Magazine (http://www.animalspinkfloydmagazine.com) has just completed a special edition of the publication, which focuses on Nick Mason’s Saucerful Of Secrets (more details below), and as part of it, he had the opportunity to ask Nick some questions about the current tour. Thanks to José, we can share the English version of the interview, here… ‘Echoes’ is the name given to this tour. After Richard Wright’s death in 2008, David Gilmour said that he would not play this song again because it was a dialogue between him and Wright. Nick, how do you feel about this song? I totally disagree with David on this. David couldn’t imagine… well, In 2008 no one had any idea that this was going to happen, and I think that this is a really important celebration of some of Rick’s playing and it would be a tragedy to not play it. I believe respect is to play it. We don’t particularly agree on that. We decide what we think is good for us, I guess. You have already said that you don’t see the point in playing the same songs that the fans already listen to at David Gilmour and Roger Waters concerts. What will the show be like and what songs will be played at the concerts in Spain? The biggest difference is that we are working on the early Pink Floyd catalogue and it’s very different to what Roger does with The Wall and David as well. Someone said we are an old style garage band and have to be a lot more in the spirit of Pink Floyd in 1967, 1968, 1969; the music should be a bit freer, and we should be able to improvise a little bit. The music is generally taken from what we made before 1972 so that includes Piper, ah, Saucerful Of Secrets and Meddle as well as some of the least well known singles. I think for people who remember these, there is an element of nostalgia but I hope that for people who really don’t know very much of old Pink Floyd will enjoy it but also see how the ideas developed over the years.
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