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Very rare Syd Barrett gig poster in upcoming auction

Warren Dosanjh, a school friend of Syd Barrett, and the manager of the early Barrett band Those Without, is selling some of his framed and glazed posters and other ephemera through the Cambridge based auction house Cheffins. Cheffins Auctions were the people who sold Barrett’s possessions after his death, on behalf of his family, so it is no real surprise they are being used again. The auction is being held this Thursday, October 26th, under the sale title Art and Design October 2023. You can view the details of each of the lots, on page 50-51 of Cheffins catalogue for this auction, which can be viewed through this link (https://edition.pagesuite.com/html5/reader/production/default.aspx?pubname=&edid=0c6fef7f-3de9-410d-be7e-077c9c75883b) or by clicking the thumbnail of the auction pages below: Most of the items are from exhibitions to do with Syd, held after his death. The first is a City Wakes poster (from the Syd celebration in Cambridge) signed by Storm Thorgerson and Rosemary Breen (Syd’s sister), together with assorted ephemera relating to the exhibition, a facsimile poster of the BBC Cambridgeshire and Anglia Ruskin University invitation to the unveiling of a Blue Plaque in memory of Syd; a Royal Mail Syd Barrett first day cover, numbered 658 of 3000; a copy of Melody Maker from August 1967 featuring Syd on the cover and other Syd related ephemera. There’s a VIP invitation poster for ‘Syd Barrett: A Celebration’ at the Cambridge Corn Exchange from October 2016 , featuring an unveiling of public commemorative art followed by a celebratory concert and music from Men on the Border together with the Sandviken Symphony Orchestra and lights by Peter Wynne-Willson, interpreting the music of Syd Barrett and Pink Floyd, at the venue where Barrett performed his last ever concert in 1972. There’s a Royal Mail limited edition, numbered giclée print of the Wish You Were Here stamp, and a poster from the Their Mortal Remains exhibition in Rome, Italy. The most unusual lot though is from a gig at the Cambridge Corn Exchange that Syd played in with a support band, The Last Minute Put Together Boogie Band. This comes with a live recording CD of the band which had Syd on guitar, and a CD of Hawkwind on the same evening. Potentially this is the only remaining example of this poster in existence. We suspect the estimate of £500-1000 will be shown to be very pessimistic…

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Metallic Spheres In Colour – The Orb and David Gilmour: EartH, London

To coincide with the release of Metallic Spheres in Colour by The Orb and David Gilmour (full details and ordering info here (https://www.brain-damage.co.uk/latest/metallic-spheres-in-colour-the-orb-and-david-gilmour-cd-lp-di.html)) on September 29th, a special event was held at EartH (Evolutionary Arts Hackney) in London to launch and perform the album. The reimagining of the original album has garnered much acclaim and brought the work to a new audience, as well as those who were already familiar with the 2010 version. This launch event was a celebration of the work undertaken. Of this new reimagining, producer Youth said that “the idea for Metallic Spheres In Colour, was that Alex Paterson (founder of The Orb) could have done more on the first version, and he didn’t really have the opportunity because we had a philosophy of making the music like the Blade Runner soundtrack meets Wish You Were Here. So, I asked him why don’t we remix it and make it like an Orb classic? And in doing that, it’s almost like a completely different album.” There were lukewarm and highly unrealistic rumours that David Gilmour would appear to recreate his guitar work, and as expected, he didn’t. A good friend of BD, Marcelo Paulo de Souza, was at the event, and sent over the following notes on the event, along with the great pictures below! Last Friday, I attended the album release party in London for Metallic Spheres in Colour by The Orb and David Gilmour. To celebrate the launch of the Metallic Spheres in Colour album, The Orb were due to perform the entire album live, alongside some classics and modern pieces. Additionally, Youth, the producer of Pink Floyd’s seminal album, The Endless River, played a DJ set that included a pleasantly strange rendition of the song Time. David Gilmour did not perform at this show. Despite the advert for the event, they didn’t perform the entire album, but just a segment. As promised, here are a few photos from the Album Release Party for Metallic Spheres in Colour last Friday:

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Metallic Spheres In Colour – The Orb and David Gilmour: CD, LP, digital

Just announced: the 2010 album Metallic Spheres by The Orb and David Gilmour has been reimagined and remixed as Metallic Spheres In Colour and will be released on 29th September, on LP, CD, and digital including Dolby Atmos and 360RA. You can pre-order now through the links given below. Of this new reimagining, producer Youth said that “the idea for Metallic Spheres In Colour, was that Alex Paterson (founder of The Orb) could have done more on the first version, and he didn’t really have the opportunity because we had a philosophy of making the music like the Blade Runner soundtrack meets Wish You Were Here. So, I asked him why don’t we remix it and make it like an Orb classic? And in doing that, it’s almost like a completely different album.” The original Metallic Spheres album initially released in 2010 was created almost by accident. In late Spring 2009 David Gilmour entered the studio to record the Graham Nash track Chicago/Change The World, originally by Crosby, Stills, Nash & Young, with all proceeds going to the campaign for the British hacker Gary McKinnon, who was facing extradition to the USA (later overturned and he faced no prosecution in the UK). The song also featured vocals from Chrissie Hynde, Bob Geldof and Gary himself and the campaign was also supported by Peter Gabriel, Sting and the actress Julie Christie. Ambient pioneers The Orb and producer Youth also lent their support to the campaign by remixing the track and they asked if David Gilmour would contribute further guitar parts at Youth’s studio, The Dreaming Cave, in Wandsworth. Youth and Orb leader Alex Paterson turned this session into two ambient suites, the 28 minute ‘Metallic’ and the 20-minute ‘Spheres’ and released under the name Metallic Spheres, again with all proceeds going to Gary’s campaign. The album was one of the first major releases to be issued in a version of surround sound called 3D60 Audio and remains a favourite among headphone aficionados. The CD features two tracks, as does the LP (which, rather than Side A and B, has the Round Side and Flat Side!), as follows:
– Seamless Solar Spheres Of Affection Mix (20.07)
– Seamlessly Martian Spheres Of Reflection Mix (19.44). For the digital, 360RA, Dolby Atmos and Streaming versions, the music is split as follows:
– Seamless Solar Spheres Of Affection Mix Movement 1 (11.29)
– Seamless Solar Spheres Of Affection Mix Movement 2 (8.52)
– Seamlessly Martian Spheres Of Reflection Mix Movement 1 (10.47)
– Seamlessly Martian Spheres Of Reflection Mix Movement 2 (09.16). Ordering Information:
COMING SOON!

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Wish You Were Here – A People’s History of Pink Floyd

Wish You Were Here – A People’s History of Pink Floyd is the title of a new book about the Floyd, although author Richard Houghton readily admits that the book isn’t entirely new, as it’s an update of an earlier work from 2017. The book tells the story of Pink Floyd through more than 500 eyewitness accounts, mixing concert memories with other encounters with the band. As well as stories from the beginnings of the band’s career and accounts of arena shows, there are a number of more intimate encounters. One example is the story of Norman Whitehall, who travelled with a friend to Bridgend in Wales to see Pink Floyd at the tiny Kee Club in March 1969, only to be told that they couldn’t get in because it was a members-only club. A disconsolate Norman wandered the streets with his friend until they bumped into the band themselves, who took pity on them and escorted them into the club and through to their dressing room, where band and fans shared a joint. Richard said: “I had a book entitled Pink Floyd – I Was There published in paperback, but that book has been out of print for a few years. I’ve managed to acquire the rights to the book and decided to republish it through my own company, Spenwood Books, and give the material in the book the treatment it deserves. The new book is coming out in hardback in a larger format, with full colour photos on high quality paper. I’ve also collected over 100 new accounts of seeing the Floyd live that weren’t in the original book. This includes several tales from the period when Syd was in the band. So it’s a fascinating look back at Pink Floyd as it’s their history told in the words of fans, and it provides a very different take on a story that’s been told many times before. Richard is still interested in hearing from anyone who saw Pink Floyd, particularly if they have a concert memory from the Sixties, and he can be reached at isawpinkfloyd@gmail.com. The deadline for fresh material is 31st May. Wish You Were Here – A People’s History of Pink Floyd is published by Spenwood Books and is available to order now at SpenwoodBooks.com (https://spenwoodbooks.com/product/wish-you-were-here-a-peoples-history-of-pink-floyd/). Orders placed by 14th July will receive a 20% discount on the RRP of £30 and early bird purchasers will also be named as sponsors in the book.

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Have You Got It Yet? The Story of Syd Barrett and Pink Floyd film premieres

Last night, a packed Everyman Kings Cross cinema in London witnessed the first screening of Have You Got It Yet? The Story of Syd Barrett and Pink Floyd. An event mainly for family, friends and those involved with the film in some way, the guest list stretched so far that they had to devote both auditoriums to the screening! It felt like a bit of a “who’s who” of Syd’s world were there to witness an absolutely superb documentary about the life of Barrett, from his very early days through to the genesis of Pink Floyd, his solo career after, and then on to a quiet life in Cambridge back as Roger, with the Syd persona left behind in London. A straw poll after showed that the film gave an excellent insight into Barrett, his life and career, for those who were novices AND those who had followed Barrett’s life for many years. There was some incredible footage, and photographs, which had never been shown before, ranging from early Floyd gigs to pictures of Barrett at Abbey Road Studios during the recording of the Wish You Were Here album. The film is at turns funny, touching, revelatory, absorbing and also there’s sections which are sad. At times, there’s opportunities to dispel certain myths about the man, and to give more background to Barrett the man. It’s a film that has been in the works for many years, with Storm Thorgerson working alongside Roddy Bogawa on it in his final few years, and it does seem to form a tribute to Thorgerson as well, with his presence felt through the film, not least from pithy off-screen comments. Typical Storm! The film will be screened at Everyman Cinemas in the UK from May 15th, with the US Canada getting their opportunity from June. SydBarrettFilm.com (https://www.SydBarrettFilm.com) is the place to check out for the latest information on the film, its screenings, and hopefully a later home release either on streaming or physical media. It really is a film that deserves your efforts in getting to a participating screen. The intro by Bogawa that took place in the bar before the film, was filmed by Marcelo Paulo de Souza for our friends at Pink Floyd Collectors and here it is – it gives a flavour of the breadth of previously unseen material in the film, and some background to the making of it.

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Pink Floyd live in Canada, 1975 – footage revealed

Every so often, some vintage Pink Floyd surfaces when you least expect it. In the last day or so, some incredible footage of the band playing live in Hamilton, Ontario, Canada, on June 28th, 1975, has surfaced. This gig was the final show on the 1975 North American tour, showcasing The Dark Side Of The Moon and selections from Wish You Were Here, along with Raving And Drooling and Gotta Be Crazy (both to appear later on Animals), with an encore of Echoes. The footage which has just appeared was shot on Super 8, which allows for around 3 minutes on each cartridge of film. Thus, during the 70s if people were using Super 8 cameras to record shows, they’d grab snippets and highlights, rather than have the camera rolling for entire sequences. The footage, which you’ll see below, features highlights of the band’s performance throughout the evening, showing some of the stage effects well. The footage has also been restored and tidied up, and syncronised with an audio recording of this show (Super 8 film at that time was normally just picture, no sound, although larger cartridges had recently been developed allowing a magnetic sound recording). Enjoy!

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Hipgnosis Exhibition opens in Dutch city of Groningen

The following article was kindly written by Charles Beterams, a self-confessed Pink Floyd addict and owner of FloydStuff.com (https://www.floydstuff.com), an online store stuffed full of PF goodies. Charles supplied the pictures (below) from the opening event as well. He’s also the man behind a range of excellent books about the band, with the latest book – Any Colour You Like: The Dark Side Of The Moon On Vinyl (https://www.floydstuff.com/product/8818296/pink-floyd-any-colour-you-like-the-dark-side-of-the-moon-on-vinyl) – the result of Stefano Tarquini’s lifelong quest and gathers together the 700 currently known variations of Pink Floyd’s masterpiece on record. The Groninger Museum in the northern city of Groningen has become somewhat of a centre for interesting musical exhibitions. Following on from the highly successful David Bowie exhibition and a recent one on the Rolling Stones (which will see a reprise later this year) the museum – lead by director Andreas Blühm – was nominated for hosting the Their Mortal Remains exhibition. Despite the museum’s spacious rooms the exhibit didn’t fit in terms of size and especially height. Following discussions with Aubrey ‘Po’ Powell who curated the Pink Floyd Exhibition: Their Mortal Remains in London and subsequent cities across the globe, a plan was raised to focus on the visual side of things and create a new exhibition on Hipgnosis. The result of that can be seen (or absorbed) until 14 May in no less than eight rooms in the Mendini Pavillion of the museum. The opening event to place in the presence of Aubrey Powell, Peter Curzon and Pink Floyd’s curator Paula Webb Stainton and also attracted people like photographer Claude Vanheye who took the famous 1968 shots of the band during their visit to Amsterdam. Director Andreas Blühm introduced Aubrey Powell who discussed the hard work it was to get all those sleeves done in an pre-digital era but with enormous budgets on the other hand. With the close connection between the band and Hipgnosis showed in the large presence of Pink Floyd in the exhibition with the largest room fully dedicated to The Dark Side Of The Moon, but also highlighting Wish You Were Here, Animals and two beautiful walls with front of house and backstage photos. Other artists featured in the exhibition include Paul McCartney, Genesis, Led Zeppelin, Peter Gabriel and 10CC. Both the city of Groningen and the exhibition are well worth a visit. Details and directions can be found at groningermuseum.nl (https://www.groningermuseum.nl/en/art/exhibitions/hipgnosis)

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MOJO Magazine: Pink Floyd Essentials

MOJO Essentials: Pink Floyd (https://www.greatmagazines.co.uk/mojo-the-collectors-series-pink-floyd-essentials), which aims to have MOJO’s experts guide you through Pink Floyd’s essential albums, songs, films and books. In their description, they note that “Pink Floyd’s status as rock’s greatest visionaries is beyond question, from their early days as psychedelic pioneers in the mid-60s to their mega-selling 70s albums The Dark Side Of The Moon, Wish You Were Here, The Wall and beyond. But how best to negotiate their revered legacy of studio recordings, film soundtracks, rarities compilations, live albums and books? And what of their members’ solo releases? “Written by MOJO’s team of experts, Pink Floyd Essentials arms you with all the knowledge you need to acquire your ultimate Floyd collection. There are incisive appraisals of all their studio albums, from 1967’s The Piper At The Gates Of Dawn right up until 2014’s ‘posthumous’ The Endless River, as well as fascinating pieces on the film soundtrack LPs the group cut in the early 70s when their future was uncertain. We also journey track-by-track through their career-spanning compilation Echoes, and take a deep dive into their revelatory Early Years and Later Years box sets. “Then there are profiles of each member’s solo releases, including early leader Syd Barrett’s two wonderfully eccentric cult albums from 1970, Roger Waters’ prolific catalogue following his departure from the group in 1984, and David Gilmour’s output, beginning with his acclaimed self-titled 1978 debut. Fear not, Rick Wright and Nick Mason are featured too! “When it comes to Floyd’s audio-visual performances, we uncover the extraordinary stories behind the band’s ground-breaking Live At Pompeii concert movie and the extravagant 1980/81 tour to promote The Wall, later captured in the epic film of the same name. Plus we recommend the best Pink Floyd books with which to line your reading shelves. Illustrated throughout with dozens of rare and iconic photographs, Pink Floyd Essentials is an indispensable purchase for all serious music fans.” To purchase this magazine – they ship worldwide – please use this direct link to the Great Magazines website (https://www.greatmagazines.co.uk/mojo-the-collectors-series-pink-floyd-essentials).

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David Gilmour special in new Total Guitar magazine

new issue – cover date July 2022, issue 359 – of Total Guitar magazine, which majors on David Gilmour and Pink Floyd (https://www.magazinesdirect.com/az-single-issues/6937159/total-guitar-magazine-single-issue.thtml). Over 23 well illustrated pages, with some shots we’ve not seen before, they trace Gilmour’s evolution as a guitarist via 20 classic Pink Floyd tracks – from 1969’s The Nile Song all the way through to Hey Hey Rise Up. Along the way, Gilmour’s genius in landmark songs such as Echoes, Breathe, Shine On You Crazy Diamond, Wish You Were Here, Comfortably Numb and Another Brick In The Wall is celebrated by a host of guitarists – Kirk Hammett, Matt Bellamy, Sophie Lloyd, Derek Trucks, Jon Gomm, Steve Rothery of Marillion, Geordie Greep of Black Midi and Stu Mackenzie of King Gizzard And The Lizard Wizard. Gilmour’s story of his life in Pink Floyd and beyond is told in his own words, and an insight into the guitarist’s creative process is provided in an exclusive interview with Bob Ezrin, producer of Floyd’s legendary double album The Wall and the last three albums of the band’s career. Finally, in an additional eight-page in-depth lesson, they profile the details of David’s playing technique. From his trademark wide-interval string bends to his melodic bluesy phrasing, they say they cover what you need to know to play like him. You can order this online through this direct link (https://www.magazinesdirect.com/az-single-issues/6937159/total-guitar-magazine-single-issue.thtml) saving you the effort of tracking it down in a store, or if you live outside the UK.

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Gerald Scarfe – a very happy birthday to you!

Our very best wishes go to Gerald Scarfe (http://www.brain-damage.co.uk/gerald-scarfe-interviews/november-2005-with-brain-damage.html) today as he celebrates his 86th birthday. Gerald, of course, is a graphic artist with a long history with the Floyd, from the 1974 tour programme caricature, through to his most famous work on The Wall, and beyond that, working with Roger Waters on his Pros and Cons project. Many happy returns to Gerald on this very special day from all of us here at Brain Damage. For those who haven’t seen it, Gerald’s superb The Art Of Pink Floyd The Wall (https://www.brain-damage.co.uk/books/gerald-scarfe-the-art-of-pink-floyd-the-wall-hardback-book.html) is REALLY worth checking out if you are interested in his work on the project, which spanned the album, concerts and film. It is a beautiful, 288-page hardback book, in landscape format housed within a cardboard sleeve that reveals a huge amount of rare and previously unseen sketches, paintings and more, created by Gerald Scarfe principally for The Wall project, but also includes earlier materials, for Wish You Were Here and Animals, for example. It is an expensive book, but the work involved bringing together the breadth of material within, and the quality of its presentation, help to justify the price tag – and it is completely different to any previous books on Scarfe’s artwork for the Floyd. However much you think you know The Wall, and Scarfe’s artwork for it (and earlier Pink Floyd projects), this book will reveal far more than you could imagine. One wonders if there was anything left in his archive that wasn’t included? That’s not a criticism, but a note of thanks for bringing in so many early sketches and ideas to sit alongside finished designs and images. This is a truly incredible book that will appeal equally to Pink Floyd fans, to Scarfe enthusiasts, and to those interested in production design for film and concert stage. As a special exclusive treat, Gerald had this video shot especially for Brain Damage, so you get a feel for what the book includes, and the format it comes in. Thanks Gerald, and hope you have a great birthday!