In the run-up to Nick Mason’s Saucerful Of Secrets hitting the stage of the Beacon Theatre in New York City on Thursday/Friday, Nick spoke to the New York Post (https://nypost.com/2019/04/17/pink-floyds-nick-mason-shares-the-secrets-of-the-bands-legacy/) about the project, in an interesting and wide-ranging discussion. Nick explained the philosophy behind the project: You only have to wait for 15 minutes before another version of the greatest hits come ’round, whether it’s Brit Floyd or the Australian Floyd or Roger [Waters] or David [Gilmour], and what I didn’t want to do is get into a competition of who can do the closest to the original Comfortably Numb. What I wanted to do was something a lot freer than that that was sort of based in how we did do things 50 odd years ago, and that was sort of important that there’d be some freedom in the music rather than slavishly copying every single note that David did.. What’s really nice about this is from the moment we started last year it was almost sort of going back in time,. It reminded me of all the really good times playing with Pink Floyd, in fact. It wasn’t that I ended up playing it in a despondent way. I enjoyed it all the way through. It’s sort of turning back the hands of time, really. In the article, Mason says fans can expect a live Saucerful album, and while he has given up on a full-blown Floyd reunion, the band still remains a working entity in some ways, referring to the Pink Floyd Exhibition: Their Mortal Remains which Nick hints at a European city as its next stop, with a longer term view of taking it to America. He also talks about plans for remasters and mentions Animals as ripe for this process as technically we sort of did it in our own studio and it’s not quite up to the standard of an Abbey Road production. He also muses on the likelihood – or not – of a Floyd biopic, and suggests potential actors for key roles. You can read the entire interview over at the New York Post (https://nypost.com/2019/04/17/pink-floyds-nick-mason-shares-the-secrets-of-the-bands-legacy/) website.
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London rockers Depression, Baby return with the boxy, energetic and effortlessly infectious new single ‘In My Blood’. Built around a tight, boxy, uptempo guitar led backdrop which is instantly comparable to early The Strokes albums with its distorted vocals blended with effortlessly likeable, high-energy sound of Catfish And The Bottlemen. Opening with distant, tight tom …
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Beneath The Surface: Ci Majr
Hello and welcome to another Beneath The Surface session. This time I am joined by the bright, bouncy and extremely talented Ci Majr. We have a nice little chinwag and I get to share her latest zesty little dance-pop number! So check it out below. What would you say first sparked your interest in music/who …
The post Beneath The Surface: Ci Majr appeared first on Turtle Tempo.
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More new music from Chester Kamen – Stories
Today we have some more new music from respected guitarist Chester Kamen. We know that a good number of you have been enjoying these songs. Amongst many other artists, Chester has toured with Roger Waters, joining his band in 2002 and playing on subsequent tours, and with David Gilmour on his 2016 Rattle That Lock tour. He first played with David back in 1985 during the Live Aid show – David and Chester were both part of Bryan Ferry’s band for that show (as was Jon Carin). Chester has, like many musicians, kept himself busy whilst lockdowns and restrictions due to Covid-19 have called a halt to many things – in particular, live performance. In October, he shared his new piece of music called Take This, that runs for over 23 minutes. Chester told us that Take This is the first side of an album he is currently working on – following, or inspired by, the old Floyd blueprint of one long piece and several songs on the flip side. Since then we’ve seen the first songs on the second side of the album: Brand New Day, Swimming, I’d Love To Turn You, Lover’s Lane, Come The Revolution, and Child Of The Damned. The new song from Chester – Stories – is now here, and as he notes on YouTube, the song is “Dedicated to the memory of my two beloved little brothers, Nick and Barry.” Chester tells us that it was recorded with his trio, The Twins, comprising himself, Dale Davis (Amy Winehouseâs bass player and Musical Director) and Hugo Degenhardt on drums and backing vocals. They also had a guest on piano: Barima Asante.
He also noted that “the basic track was recorded some time ago in Battersea on an eight track tape machine so it hopefully has that analog feel. The video has a cameo appearance from my old and dear friend Jon [Carin]” who you can spot toward the end of the song. We’ll update you as he progresses with the rest of the album, as we know from feedback we’ve had that the songs are proving popular.
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