As you know, Christie’s New York is handling the upcoming sale of a significant chunk of the personal guitar collection of David Gilmour. With more than 120 guitars, including his preferred Fender models of Broadcasters, Esquires, Telecasters and Stratocasters, the auction on 20th June marks a rare opportunity for guitar aficionados, musicians and collectors to explore one of the world’s most comprehensive groupings of guitars that hooked a generation. As we noted, prior to the sale, the entire David Gilmour Collection will be on display at Christie’s London between 27th – 31st March, followed by highlights of the collection on display in Los Angeles from 7th – 11th May, and will conclude with a full preview in New York from 14th – 19th June. You can book your viewing slot for the London staging now – visit this page at Christie’s website to select your preferred time (https://a.flexbooker.com/widget/34ee144d-e3ee-4663-83b3-101464fd20a7?fbclid=IwAR2MllKSAB_jr3k5oZXI21WgMw6AQaBnXcREHn-C7iQN-u80xGpEm6WbfKI#calendar). Reservations are free of charge, but necessarily limited to reduce congestion, so don’t delay. At time of writing this, most time slots are still available, although some of the later slots each day are gone. For those unable to attend, the auction house had created an incredible virtual tour of the upcoming George Michael collection – hopefully they will create the same for David’s guitars… We have no idea if photography will be permitted at the viewing (a question we’ve had a number of times already) although if you pre-order the catalogue for The David Gilmour Guitar Collection, direct from Christies (https://catalogues.christies.com/christies-shop/Product.aspx?offerId=52694), you should have great pictures of every item on offer. The catalogues are priced at £30/$50/€45 each plus postage, and please note that catalogues will not be despatched until the week commencing 13th May, so it is unlikely to be available to purchase at the London or LA preview events.
Related Articles
New book: Pink Floyd in De Kuip ’88
Pink Floyd in De Kuip ’88 (https://www.floydstuff.com/product/4143915/pink-floyd-pink-floyd-in-de-kuip-88-holland-book), all aspects of the preparations – which took almost a year – are covered, with a lot of previously unpublished archive and photo material. It gives a fascinating look behind the scenes of the realization of the concerts in Stadion Feijenoord, as De Kuip is officially called. Spitfires that fly past and only take off in Rotterdam, props that fly over, fireworks and a breathtaking audiovisual spectacle. But above all a story of ‘deeds not words’ and for the almost 100,000 people present – and many outside the stadium – two evenings to remember. The book – which is being published on June 11th, 2021 – will be a luxury bound hardcover edition, with 112 pages on heavyweight paper. It’s a limited and numbered edition of 500, which we understand is already half-way to be completely sold, so if you are interested, don’t delay! You can place your order at Floydstuff.com (https://www.floydstuff.com/product/4143915/pink-floyd-pink-floyd-in-de-kuip-88-holland-book) now.
Share this:
- Click to share on Twitter (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Pinterest (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on WhatsApp (Opens in new window)
- Click to share on Telegram (Opens in new window)
- Click to share on Pocket (Opens in new window)
- Click to share on Skype (Opens in new window)
- Click to email a link to a friend (Opens in new window)
Battersea Power Station Revisited
Our thanks to BD regular Ian McKenzie who shares his recollections of Battersea Power Station in London, from 1977, when Animals was released, in 1981, en route to seeing Pink Floyd at Earls Court for The Wall, and then – bringing the story up to date – a very recent visit as part of his birthday celebrations! Ian talks about the refurbished building, including the lift which takes you to the top of one of the rebuilt chimneys, giving you an Algie-eye’s view of the surroundings. Needless to say, some of his images and descriptions might be considered spoilers if you are considering a visit – or indeed, if you’ve been a bit unsure, he might have convinced you it is worth a visit. For more information on visiting the site, and what’s there, check out BatterseaPowerStation.co.uk (https://batterseapowerstation.co.uk). Now, over to Ian: Having discovered Pink Floyd in 1976, I can remember the release of the Animals album in early 1977. However, as I was in my early teens and surviving on pocket money, I was unable to afford to buy the album until I was on holiday in July of the same year. Even though I was unable to play the album until I returned home from the holiday, I was completely intrigued by the building on the album cover. I was convinced that this building didnât actually exist and that the cover was just an elaborate illustration. However, the black and white photos inside the album sleeve certainly looked real enough and at some point over the coming weeks I learned that the building in question was Battersea Power Station in London. Regardless of Animals being one of my favourite Pink Floyd albums, I have also found the building itself to be particularly fascinating. Fast forward to 1981 and I was in London to see one of the Pink Floyd The Wall shows at Earls Court. Iâd also been lucky enough to have seen this show at the same venue the year before, and I decided on my return to try to get a glimpse of Battersea Power Station before heading to the concert in my Pink Floyd tee-shirt and velvet jacket (the height of fashion in 1981, honest). Iâd worked out from a map that probably the easiest means of seeing the power station would be from Chelsea Bridge, so I headed south from Sloane Square tube station along Chelsea Bridge Road. I managed to spot the power station before reaching the bridge and I was very impressed to see it in all its glory from the bridge itself. It was a lovely sunny day with a fairly clear blue sky, so I managed to capture a photo or two with my recently acquired Rollei 35mm compact camera [see picture below]. This was the same camera that I used later that evening to capture some photos of the concert itself. These pics can be seen elsewhere on the Brain Damage website – follow this link to see them (https://www.brain-damage.co.uk/the-wall/the-wall-live-1981-earls-court-pictures.html).
Share this:
- Click to share on Twitter (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Pinterest (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on WhatsApp (Opens in new window)
- Click to share on Telegram (Opens in new window)
- Click to share on Pocket (Opens in new window)
- Click to share on Skype (Opens in new window)
- Click to email a link to a friend (Opens in new window)
Exclusive David Gilmour interview in new Uncut magazine
David Gilmour with Luck and Strange, his new album – full details here (https://www.brain-damage.co.uk/latest/david-gilmour-luck-and-strange-new-album-announced.html). Trailing the 12-page article, Uncut note that it has Gilmour discussing the making of the album at length, including the use of a younger team who don’t have the normal Floydian preconceptions or notions of how things are done. As ever with Uncut’s deep dive interviews, it is a fascinating and illuminating piece that is well worth reading, with some great pictures – a number of which were taken during the recent recording sessions. Elsewhere in the magazine, there are features on The Beatles, Jefferson Airplane, and more, and there’s a CD of live Can performances from 1973-1977. As we mentioned, the magazine should be hitting the shelves in UK stores on Friday, April 26th, and online orders can be made through the publisher’s own website (https://shop.kelsey.co.uk/single-issue/uncut-magazine/338).
Share this:
- Click to share on Twitter (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Pinterest (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on WhatsApp (Opens in new window)
- Click to share on Telegram (Opens in new window)
- Click to share on Pocket (Opens in new window)
- Click to share on Skype (Opens in new window)
- Click to email a link to a friend (Opens in new window)