pre-order the catalogue for The David Gilmour Guitar Collection, direct from Christies (https://catalogues.christies.com/christies-shop/Product.aspx?offerId=52694). These are priced at £30/$50/€45 each plus postage. Please note that catalogues will not be despatched until the week commencing 13th May, so it is unlikely to be available to purchase at the London or LA preview events.
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New book: “The Development of Large Rock Sound Systems” – Chris Hewitt
Recently published is The Development of Large Rock Sound Systems, Chris Hewittâs homage to the development of amplified sound systems spearheaded by Charlie Watkins whose company, WEM (Watkins Electric Music) was synonymous with the supply of PA systems to a raft of artists and festivals through the 1960s and 70s. You need to have a basic understanding of the principals behind amplified sound systems to get a grasp on this book because it not only traces the history of sound systems but the individual components that made up those systems. It can get quite technically overwhelming but it is strangely compelling, not least because its author is a hugely enthusiastic authority, but is also a world renowned collector of vintage PA equipment. So much so that Chris has supplied his equipment for films including the recreation of the Live Aid stage for Bohemian Rhapsody and scenes in Elton Johnâs biopic Rocketman and more recently a recreation of David Bowieâs infamous July 1973 concert at Hammersmith Odeon for the soon to be released Sex Pistols film by Danny Boyle. (Iâll leave you to work out the connection.) Watkins began the design and manufacture of amplifiers, mixing desks and speakers in the early 1960s when pop music was on an upward trajectory and venues were becoming ever bigger which in turn demanded better equipment. It was also surprising to learn how late in the day stage monitors became the norm. Watkins, however, made a critical business error at the very outset â he thought that supplying the artists with his equipment for free â emblazoned with the recognisable red WEM logo – would encourage retail sales to would-be musicians. It is hardly surprising then that many acts took advantage of that offer â and not least Pink Floyd, but it ultimately became his downfall as other companies began making their own mark, including Marshall, Allen & Heath and Martin to name a few which ultimately spelt WEMs demise. Unsurprisingly, WEM also spearheaded the supply of PA systems to the burgeoning festival scene and supplied systems to the early NJF at Sunbury, Windsor and Plumpton; all the Hyde Park free festivals; Isle of Wight and Bath. For anyone interested in that scene alone this book is a must with plenty of rare photos â some of which that defy todayâs health and safety regulations!
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‘Change’ is Hugo Valentine’s latest emotive and contemplative pop-rock single.
Londoner, multi-instrumentalist and classically trained pianist Hugo Valentine today releases ‘Change’, his latest in a string of emotive and contemplative self-written singles. Much like his previous tracks ‘My Friend, ‘Rule the World’ and ‘All I Want’, ‘Change’ is also a ruminative, piano-led number, the hallmark of Hugo’s songwriting so far. “In a rare situation …
The post ‘Change’ is Hugo Valentine’s latest emotive and contemplative pop-rock single. appeared first on Turtle Tempo.
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In Conversation with Rachel Gleddie
Hailing from Edmonton, Canada, Rachel Gleddie is a singer-songwriter with a lot of talent and soul. Influenced by different genres ranging from folk to dark-pop, Rachel’s music is intriguing, compelling and captivating. We speak with Rachel about her upcoming debut EP Silhouette, future plans and discovering new music. Why did you choose to enter the …
The post In Conversation with Rachel Gleddie appeared first on Turtle Tempo.
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